Walter Baumgartner
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摘要

18世纪初,哥本哈根最重要的四家出版社由一个印刷家族所有,其中包括来自德国的移民:Høpffner、Godiche、Berling和Glasing/Møller。我的案例研究考察了为婚礼、学徒期末考试和丧亲之痛偶尔写的诗。这种流派,一直被认为是没有价值的,在这里被认真对待,其根源在于巴洛克修辞和诗学。它被赋予麻醉价值和各种社会和身份建构功能。这是为富裕的工匠阶级创作的实用主义诗歌(Gebrauchslyrik),以精心设计的单张或小小册子的形式私下或半公开地传播。作者通常是想赚钱的学生或诗人。除了明确的内容外,有症状的失语和遗漏也揭示了有关“组织之家”、(近亲)婚姻、继承、宗教和行会制度崩溃的事实和问题。巴洛克风格的主题和形式很快就不足以应对最近的社会和美学发展,偶尔的诗歌在1800年后逐渐衰落。
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Forsynet, giftermålspolitikken og døden i leilighetsdiktningen til Københavns boktrykker-klan Godiche, Høpffner, Berling og Møller
Walter Baumgartner: Forsynet, giftermålspolitikken og dødeni leilighetsdiktningen til Københavns boktrykker-klan Godiche, Høpffner,Berling og Møller At the beginning of the eighteenth century four of the most important publishinghouses in Copenhagen were owned by a clan of printers that included immigrantsfrom Germany: Høpffner, Godiche, Berling and Glasing/Møller. My case study examinesthe occasional poetry written for weddings, apprentices’ final examinationsand bereavements. This genre, which has always been considered as of little value, ishere taken seriously, with its roots in baroque rhetoric and poetics. It is accorded anaesthetic value and various social and identity-building functions. This is utilitarianpoetry (Gebrauchslyrik) for the prosperous artisan class, which circulated privately orsemi-publicly in the form of elaborately designed single sheets or small booklets. Theauthors were often students or poets who wanted to earn some money. In addition tothe explicit content, symptomatic gaffes and omissions shed light on facts and problemsconcerning ‘das ganze Haus’, the (consanguineous) marriage, the succession, religionand the breaking down of the guild system. The baroque repertoire of topoi and formssoon became inadequate to deal with more recent social and aesthetic developments,and occasional poetry gradually declined after 1800.
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