专业会计协会杂志封面上的身份表现

Anne K.H. Neal, Merridee L Bujaki, Sylvain Durocher, François Brouard
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引用次数: 0

摘要

目的:作者研究和比较会计协会在2014年三个加拿大会计协会合并后会计行业不同领域的身份。设计/方法/方法作者将会计协会的杂志封面设想为“身份表演”的背景(即,有意地将身份维度传达给目标受众的场景)。作者研究了2011年1月至2020年12月期间发生的合并前和合并后协会的身份表演,并确定了21个广泛的主题,作者根据身份逻辑(即专业/商业主义)和受众焦点(社会/协会成员)进行了解释,强调了合并前后身份表演的相似性。作者的分析揭示了合并前会计行业的不同部门和合并后统一会计协会的不同身份表现。身份逻辑的表现不同:商业逻辑在两个协会中占主导地位,而专业逻辑在第三个协会中占主导地位。当协会停止出版一份杂志并推出一份新杂志时,合并后的协会从商业逻辑向专业逻辑的转变体现了身份的流动性。社会而不是协会成员是所有协会的主要目标受众,但这种重点表现不同。合并后,身份表演继续关注社会作为观众。原创性/价值作者强调了通过会计协会杂志发生的戈夫曼身份表现(Goffman, 1959)。作者采用了细分视角(Bucher和Strauss, 1961),表明商业主义并没有在所有的行业领域都胜过专业主义。作者首次将身份逻辑(专业性/商业化)与目标受众并列,以更好地理解会计身份的这些方面如何在不同部门之间进行比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Identity performances on professional accounting association magazine covers
PurposeThe authors examine and compare accounting associations' identities in distinct segments of the accounting profession surrounding the 2014 merger of three Canadian accounting associations.Design/methodology/approachThe authors conceive of accounting associations' magazine front covers as a setting for “identity performance” (i.e. a scenery through which identity dimensions are intentionally communicated to target audiences). The authors examine pre-merger and post-merger associations' identity performances that took place between January 2011 and December 2020 and identify 21 broad themes that the authors interpret in terms of identity logics (i.e. professionalism/commercialism) and audience focus (society/association members), underscoring (dis)similarities in identity performances pre- and post-merger.FindingsThe authors' analysis reveals distinct identity performances for the different segments of the pre-merger accounting profession and for the post-merger unified accounting association. Identity logics manifest differently: a commercial logic dominated for two of the associations and a professional logic dominated for the third. Identity fluidity was evident in the merged association's shift from commercial toward professional logic when the association ceased publishing one magazine and introduced a new one. Society rather than associations' members dominated as a target audience for all associations, but this focus manifested differently. Post-merger, identity performances continued to focus on society as the audience.Originality/valueThe authors highlight the Goffmanian identity performances (Goffman, 1959) taking place via accounting associations' magazines. The authors adopt a segment perspective (Bucher and Strauss, 1961) that demonstrates that commercialism does not trump professionalism in all segments of the profession. For the first time, the authors juxtapose identity logics (professionalism/commercialism) and targeted audiences to better understand how these facets of accountants' identities compare between segments.
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