从犹太人的生存开始:弗洛伊德的离家出走

M. Turim
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引用次数: 0

摘要

《从犹太人的生存开始:弗洛伊德的离家出走》是比尔第一部长篇电影中对犹太遗产的复杂引用的仔细解读。莫林·图林(Maureen Turim)用心理学的视角来评价这部电影独特的喜剧和悲剧的混合,尤其是在它唤起弗洛伊德的延迟成熟,罗莎即将死亡,以及他们强烈而矛盾的母女关系。本章进一步将弗洛伊德的《离家》置于犹太导演同时代电影的背景下,这些电影代表了文化转型中的流散犹太家庭。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beginning with Jewish Survival: Freud’s Leaving Home
“Beginning with Jewish Survival: Freud’s Leaving Home” is a close reading of the complex references to Jewish heritage in Bier’s first feature-length film. Maureen Turim employs a psychological lens to assess the film’s distinct blend of comedy and tragedy, most particularly in its evocations of Freud’s delayed maturation, Rosha’s impending death, and their intense, ambivalent mother-daughter bond. The chapter further situates Freud’s Leaving Home in the context of contemporaneous films by Jewish directors that represent diasporic Jewish families in cultural transition.
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