t·j·卢埃林·普里查德:《诗歌(包括戏剧诗歌)、出版商与政治》

S. Adams
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摘要

关于托马斯·杰弗瑞·卢埃林·普理查德(1790-1862)的生活和工作的讨论在过去的四十年里稳步增加。他的小说《Twm Shon Catti》(1828)一直是人们关注的焦点,而他的诗歌却相对被忽视了,因为它有争议地声称是“第一部威尔士小说”。他的大部分诗歌都是关于历史和传奇题材的长篇叙事,他认为这些题材的本质是优越的,这对他的作品没有帮助。最近发现的《戏剧诗歌》(1822),以前只能从他的其他出版物的标题页上引用,这使得调查和重新评估他的诗歌作品成为可能。他真正的长处在于讽刺。讽刺诗支持倒下的拿破仑,同时谴责路易十六和欧洲君主政体,这证明了他的激进思想,就像他一贯提名那些因违反诽谤法而冒着法律制裁(在某些情况下遭受监禁)的人作为他作品的“出版商”一样。他的一些最有影响力的诗歌描述了农村穷人的苦难,抨击了无情的地主。在《戏剧诗歌》中,对演员被肆无忌惮的剧院经理剥削的类似愤怒的关注再次强调了普里查德对舞台的密切了解,并倾向于确认他与皇家剧院的联系,考文特花园。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
T. J. Llewelyn Prichard: Poetry (Including Theatrical Poems), Publishers and Politics
Discussion of the life and work of Thomas Jeffery Llewelyn Prichard (1790–1862) has steadily increased over the past forty years. His novel, Twm Shon Catti (1828), with its disputed claim to be ‘the first Welsh Novel’, has been the chief focus of attention, while his poems have been relatively neglected. That the bulk of his poetry consists of long narratives on historical and legendary subjects, which he considered by their very nature superior, has not helped his case. With the recent discovery of Theatrical Poems (1822), known previously only from citations on the title pages of his other publications, it becomes possible to survey and ­re-­evaluate his poetic output. His true strength lay in satire. Satirical poetry, supporting the fallen Napoleon while condemning Louis XVI and European monarchies in general, testifies to his radical thinking, as does his consistent nomination as “publishers” of his work those who had risked legal sanction (and in some cases suffered imprisonment) for offences against the laws on libel. Some of his most powerful poems describe the suffering of the rural poor and attack callous landowners. In Theatrical Poems a similar furious concern on behalf of actors exploited by unscrupulous theatre managers re-­emphasises Prichard’s close knowledge of the stage and tends to confirm his connection with the Theatre Royal, Covent Garden.
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