Teona Farmatu
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摘要

在世界文学方法论的理论思想框架下,本文旨在重新思考战后北美诗歌与罗马尼亚80年代诗人之间的关系。作为一篇复杂的文章,本文通过一个比严格的文本方程更重要的语境方程来揭示这种现象的条件和策略。作为本研究的一个主要结论,北美诗歌形式、模式、理念以及意识形态态度的传入是罗马尼亚青年作家对这种遥远的文学模式的模仿的结果。因此,中心和(半)边缘之间的这种关系并不意味着一种主要文化霸权对次要文化的殖民模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Condiţiile Și Strategiile Unui Transfer De Capital Cultural: Importul Poeziei Americane În Optzecismul Românesc
Abstract Within the frame of theoretical ideas of World Literature methodology, my paper is aiming to reconsider the relationship between the post-war North-American poetry and the Romanian 80s Generation of poets. Being a complex import, this article sheds light on the conditions and the strategies of this phenomenon through a contextual equation which is more important than a strictly textual one. As a major conclusion of this research, the import of North-American poetry forms, models, ideas, as well as of ideological attitudes is the result of the Romanian young authors’ emulation regarding this faraway literary model. Therefore, this relationship between a centre and a (semi)periphery does not imply a colonizing model of a major culture’s hegemony on a minor one.
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