{"title":"希腊文学墓志铭中的泪水与情感","authors":"M. Doris","doi":"10.1093/OSO/9780198836827.003.0011","DOIUrl":null,"url":null,"abstract":"Chapter 11 examines emotions in literary epigrams that employ the motifs of grief and weeping, starting with selected funerary epigrams by Callimachus and Posidippus and concluding with subversive and renewed uses in Lucillius and Gregory of Nazianzus. The investigation is based on ancient philosophical and rhetorical theories and modern studies on emotions, including the sociocultural approach of ‘emotional history’. As a result, we can see how much Hellenistic poets were influenced by philosophical concepts of the fourth and third centuries BCE and how they reinterpreted their literary models to suit the requirements of their own times. The literary epitaphs of Lucillius, the satirist, condemn false emotions of presumptuous intellectuals in Rome during the first century CE, while the Christian epigrams of Gregory are shown to be inspired by bucolic and biblical motifs.","PeriodicalId":296664,"journal":{"name":"Greek Epigram from the Hellenistic to the Early Byzantine Era","volume":"363 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tears and Emotions in Greek Literary Epitaphs\",\"authors\":\"M. Doris\",\"doi\":\"10.1093/OSO/9780198836827.003.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 11 examines emotions in literary epigrams that employ the motifs of grief and weeping, starting with selected funerary epigrams by Callimachus and Posidippus and concluding with subversive and renewed uses in Lucillius and Gregory of Nazianzus. The investigation is based on ancient philosophical and rhetorical theories and modern studies on emotions, including the sociocultural approach of ‘emotional history’. As a result, we can see how much Hellenistic poets were influenced by philosophical concepts of the fourth and third centuries BCE and how they reinterpreted their literary models to suit the requirements of their own times. The literary epitaphs of Lucillius, the satirist, condemn false emotions of presumptuous intellectuals in Rome during the first century CE, while the Christian epigrams of Gregory are shown to be inspired by bucolic and biblical motifs.\",\"PeriodicalId\":296664,\"journal\":{\"name\":\"Greek Epigram from the Hellenistic to the Early Byzantine Era\",\"volume\":\"363 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Greek Epigram from the Hellenistic to the Early Byzantine Era\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780198836827.003.0011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Greek Epigram from the Hellenistic to the Early Byzantine Era","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780198836827.003.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Chapter 11 examines emotions in literary epigrams that employ the motifs of grief and weeping, starting with selected funerary epigrams by Callimachus and Posidippus and concluding with subversive and renewed uses in Lucillius and Gregory of Nazianzus. The investigation is based on ancient philosophical and rhetorical theories and modern studies on emotions, including the sociocultural approach of ‘emotional history’. As a result, we can see how much Hellenistic poets were influenced by philosophical concepts of the fourth and third centuries BCE and how they reinterpreted their literary models to suit the requirements of their own times. The literary epitaphs of Lucillius, the satirist, condemn false emotions of presumptuous intellectuals in Rome during the first century CE, while the Christian epigrams of Gregory are shown to be inspired by bucolic and biblical motifs.