印度古典音乐复调录音中唱腔音高轮廓的提取

K. Akant, S. Limaye
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引用次数: 2

摘要

在印度古典音乐(ICM)中,歌声伴随着连续的嗡嗡声和打击乐器。在敲击开始时,常规的基音检测算法无法获得光滑的基音轮廓。本文研究了在ICM复调录音的背景下,歌唱声音高轮廓的提取问题。该方法利用傅里叶变换域的傅里叶算法将帧划分为单音/复音和谐波/非谐波。音调估计为那些框架是单音和谐波和那些复音框架的主要旋律是唱歌的声音。利用傅立叶变换对谱峰进行抛物线插值来估计基音。该方法不受八度误差的影响,对ICM中的微音具有较高的基音估计精度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pitch Contour Extraction of Singing Voice in Polyphonic Recordings of Indian Classical Music
In Indian Classical Music (ICM) singing voice is accompanied by continuous drone and percussive instruments. At the onsets of percussion, smooth pitch contour cannot be obtained by conventional pitch detection algorithms. In this paper, the problem of extraction of pitch contour of singing voice in the context of the polyphonic recordings of ICM is addressed. In this method, frames were classified as monophonic / polyphonic and harmonic / inharmonic using novel algorithms developed in Fourier of Fourier Transform domain. The pitch was estimated for those frames which were monophonic and harmonic and for those polyphonic frames where predominant melody was of singing voice. Estimation of pitch was done using Fourier of Fourier Transform doing parabolic interpolation to spectral peaks. The developed method is immune to octave errors and accuracy in pitch estimation is suitable for microtones in ICM.
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