Stephen Rodgers
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引用次数: 0

摘要

1847年10月,范妮·亨塞尔去世五个月后,她的哥哥菲利克斯·门德尔松把她的几份手稿交给了他的出版商。三年后,这些作品以《范妮的第8、9、10和11页》的形式出版,但谁选择了这些作品出版尚不清楚。然而,兄弟姐妹的音乐提供了另一种形式的证据,可以阐明菲利克斯在传播他妹妹的音乐中所扮演的角色。本章检查范妮的塞克斯·利德,Op. 9,一个集合,是密切连接到菲利克斯自己的歌曲收藏之一,Zwölf利德,Op. 9(1830)。考虑到这些互文的共鸣,很难不把范妮的作品9看作是兄弟之间的合作,是一个兄弟为他死去的妹妹写的音乐挽歌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fanny Hensel’s Sechs Lieder, Op. 9
In October 1847, five months after Fanny Hensel died, her brother Felix Mendelssohn brought several of her manuscripts to his publisher. Three years later, these works appeared in print as Fanny’s Opp. 8, 9, 10, and 11, though who selected these pieces for publication remains unclear. The siblings’ music, however, provides another form of evidence that can shed light on Felix’s role in the dissemination of his sister’s music. This chapter examines Fanny’s Sechs Lieder, Op. 9, a collection that is intimately connected to one of Felix’s own song collections, Zwölf Lieder, Op. 9 (1830). Considering these intertextual resonances, it is difficult not to see Fanny’s Op. 9 as a sibling collaboration in its own right, a brother’s musical elegy to his departed sister.
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