虚构的乐器,真实的价值:用非功能原型发现音乐背景

G. Lepri, Andrew Mcpherson
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引用次数: 6

摘要

一项新技术的出现可以被认为是社会、文化和技术过程的结果。乐器设计特别受到与制作它们的特定背景和社区有关的文化和审美价值的影响。在之前的工作中,我们举办了一个设计小说研讨会,在这个研讨会上,音乐家们创造了非功能性的乐器模型。在当前的论文中,我们报告了一项在线调查,在该调查中,音乐技术人员被要求推测设计特定乐器的音乐家的背景。我们的研究结果为解释这些人工制品的起源提供了几个线索,包括物理特征、身体与乐器的相互作用、语言的使用以及对已建立的音乐实践和工具的参考。默契的音乐和文化价值也是基于直觉和整体判断来确定的。我们的讨论强调了文化意识和情境依赖价值对交互式音乐系统设计和使用的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fictional instruments, real values: discovering musical backgrounds with non-functional prototypes
The emergence of a new technology can be considered as the result of social, cultural and technical process. Instrument designs are particularly influenced by cultural and aesthetic values linked to the specific contexts and communities that produced them. In previous work, we ran a design fiction workshop in which musicians created non-functional instrument mockups. In the current paper, we report on an online survey in which music technologists were asked to speculate on the background of the musicians who designed particular instruments. Our results showed several cues for the interpretation of the artefacts’ origins, including physical features, body-instrument interactions, use of language and references to established music practices and tools. Tacit musical and cultural values were also identified based on intuitive and holistic judgments. Our discussion highlights the importance of cultural awareness and context-dependent values on the design and use of interactive musical systems.
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