艾米丽·安德森。青铜时代克里特岛的印章、工艺和社区。

J. Younger
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引用次数: 0

摘要

在插图列表(191 b/w),致谢和介绍之后,五章和冗长的附录构成了本书的核心。然后是参考文献(参考书目)、(结尾)注释和索引。本书的引言和五章主要介绍了前宫殿时期(公元前2300-1900年)晚期克里特岛社会的人类学理论和结构,这些理论和结构是通过其他一些学者研究的类似的社会、文化和民族学的视角来看待的。章节标题给出了主题的提示,有时是有希望的考古数据(例如,“通过早期克里特岛的雕刻文字的身份和关系”[第2章],“在工匠手中:克里特岛社区的创新和重复”[第4章]),有时用诗意的游戏来逗乐读者(例如,“重新思考前宫殿克里特岛:一个坚持不懈的岛屿上的社会创新”[第1章],“距离和接近:晚期前克里特岛印章使用动态的根本变化[第3章])。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emily S.K. Anderson. Seals, craft and community in Bronze Age Crete.
After a list of illustrations (191 b/w), acknowledgements, and an introduction, five chapters and a lengthy appendix constitute the core of the book. There then follow references (bibliography), (end)notes, and an index. The book’s introduction and five chapters mostly present anthropological theories and constructions of Cretan society in the late PrePalatial period (ca. 2300–1900 BCE) seen through the lenses of other, presumably similar societies, cultures, and ethnologies as studied by a variety of quoted scholars. The chapter titles give an indication of themes, sometimes promising archaeological data (e.g., ‘Identity and Relation through Early Cretan Glyptic’ [ch. 2], ‘In the Hands of the Craftsperson: Innovation and Repetition across Cretan Communities’ [ch. 4]), sometimes teasing the reader with poetic playfulness (e.g., ‘Rethinking Prepalatial Crete: Social Innovation on an Island of Persistence’ [ch. 1], ‘Distance and Nearness: Fundamental Changes to the Dynamics of Seal Use in Late Prepalatial Crete’ [ch. 3]).
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