严肃有趣的论文:一篇学术论文的语境研究

Julian Lawrence
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引用次数: 0

摘要

在这篇学术漫画(或学术)中,我反思了在2019冠状病毒病大流行期间,将一个基于漫画的研究(CBR)项目作为一本编辑书籍的学术项目进行重新概念化和重新背景化时,对创作过程的影响。封锁加强了计算机中介通信(CMC),我被迫与数字技术进行了两年的独家接触,探索不受限制的在线活动对我的漫画创作实践、我的研究概念以及我作为教师的经历的影响。对这一过程及其影响的分析是通过一种混合的研究方法来实现的,该方法探索了概念化和早期学术研究的影响,这反过来又记录了大学生和国家慈善机构之间基于漫画的研究项目,因为他们成功地合作创作了一部图画小说。我通过可视化和表演鲍德里亚的理论暴力来探索学术写作的边界,通过隐喻、符号学和漫画来批判数字强化。本文的工作是在2020年至2022年英国和世界各地的滚动大流行封锁期间进行的。学术理论和漫画媒介对数字模拟提出了问题,因为我采取了一种乌托邦式的教学法,支持传统技术和数字技术之间的平衡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Serious Funny Papers: A Contextual Examination into the Making of an Acadomic
ABSTRACT In this academic comic (or acadomic) I reflect on impacts to the creative process when reconceptualizing and recontextualizing a comics-based research (CBR) project as an acadomic for an edited book during the Covid-19 pandemic. The lockdowns intensified computer-mediated-communication (CMC) and I am compelled by two years of virtually exclusive engagement with digital technologies to explore the impact unrestrained online activities have on my creative comics practice, on my conceptions of research, and on my experiences as a teacher. Analysis of this process and its impacts is realized through a mixed research methodology that explores the impacts of conceptualizing and making an earlier acadomic, which in turn documents a comics-based research project between university students and a national charity as they successfully collaborate on the creation of a graphic novel. I probe the boundaries of academic writing by visualizing and performing Baudrillard's theoretical violence to critique digital intensification through metaphor, semiotics, and comics. The work for this article was undertaken during the rolling pandemic lockdowns in the UK and around the world from 2020 to 2022. Academic theory and the medium of comics problematize the digital simulacrum as I action a utopian pedagogy that supports balance between traditional and digital techniques.
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CiteScore
1.30
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