论利奥帕尔迪《亚洲流浪牧童夜歌》中的宇宙悲观主义

Shan Ha
{"title":"论利奥帕尔迪《亚洲流浪牧童夜歌》中的宇宙悲观主义","authors":"Shan Ha","doi":"10.7575/AIAC.IJCLTS.V.7N.1P.14","DOIUrl":null,"url":null,"abstract":"The present paper analyses the lyrical expression of ‘cosmic pessimism’ contained in the “Night song of a wandering shepherd in Asia” of the Italian poet and philosopher Giacomo Leopardi (1798-1836), a central figure of the European literary and cultural landscape of the first half of the 19th century, who was acclaimed as ‘the greatest Italian poet after Dante’ by the British cultural critic Matthew Arnold. The ‘song’, composed in the period 1828-1829, bridges neoclassic and romantic sensibilities: it is composed of 143 verses without rhyme, subdivided into six parts, called ‘stanze’ and the scenario is that of a night in a desert landscape where a flock is sleeping, while the shepherd addresses himself to the moon, posing her unanswered questions about the meaning of life.","PeriodicalId":245593,"journal":{"name":"International Journal of Comparative Literature and Translation Studies","volume":"147 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Cosmic Pessimism in Giacomo Leopardi’s “Night Song of a Wandering Shepherd in Asia”\",\"authors\":\"Shan Ha\",\"doi\":\"10.7575/AIAC.IJCLTS.V.7N.1P.14\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present paper analyses the lyrical expression of ‘cosmic pessimism’ contained in the “Night song of a wandering shepherd in Asia” of the Italian poet and philosopher Giacomo Leopardi (1798-1836), a central figure of the European literary and cultural landscape of the first half of the 19th century, who was acclaimed as ‘the greatest Italian poet after Dante’ by the British cultural critic Matthew Arnold. The ‘song’, composed in the period 1828-1829, bridges neoclassic and romantic sensibilities: it is composed of 143 verses without rhyme, subdivided into six parts, called ‘stanze’ and the scenario is that of a night in a desert landscape where a flock is sleeping, while the shepherd addresses himself to the moon, posing her unanswered questions about the meaning of life.\",\"PeriodicalId\":245593,\"journal\":{\"name\":\"International Journal of Comparative Literature and Translation Studies\",\"volume\":\"147 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Comparative Literature and Translation Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7575/AIAC.IJCLTS.V.7N.1P.14\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Comparative Literature and Translation Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7575/AIAC.IJCLTS.V.7N.1P.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

摘要

本文分析了意大利诗人和哲学家贾莫·利奥帕尔迪(1798-1836)的《亚洲流浪牧羊人的夜歌》中包含的“宇宙悲观主义”的抒情表达。利奥帕尔迪是19世纪上半叶欧洲文学和文化景观的核心人物,被英国文化评论家马修·阿诺德誉为“继但丁之后最伟大的意大利诗人”。这首“歌”创作于1828-1829年,将新古典主义和浪漫主义的情感联系在一起:它由143节没有押韵的诗组成,分为六个部分,被称为“stanze”,场景是在沙漠景观的一个夜晚,羊群正在睡觉,牧羊人对着月亮说话,向她提出了关于生命意义的未解问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cosmic Pessimism in Giacomo Leopardi’s “Night Song of a Wandering Shepherd in Asia”
The present paper analyses the lyrical expression of ‘cosmic pessimism’ contained in the “Night song of a wandering shepherd in Asia” of the Italian poet and philosopher Giacomo Leopardi (1798-1836), a central figure of the European literary and cultural landscape of the first half of the 19th century, who was acclaimed as ‘the greatest Italian poet after Dante’ by the British cultural critic Matthew Arnold. The ‘song’, composed in the period 1828-1829, bridges neoclassic and romantic sensibilities: it is composed of 143 verses without rhyme, subdivided into six parts, called ‘stanze’ and the scenario is that of a night in a desert landscape where a flock is sleeping, while the shepherd addresses himself to the moon, posing her unanswered questions about the meaning of life.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信