{"title":"葛底斯堡战役的第二天:墓地岭的进攻与防御,1863年7月2日,大卫·l·舒尔茨和斯科特·l·明格斯著(书评)","authors":"Robert Grandchamp","doi":"10.1353/get.2017.0008","DOIUrl":null,"url":null,"abstract":"depicts a Confederate reenactor’s head splitting open, presumably at the moment it is struck by an artillery fragment. Undoubtedly, the author hoped these images would remind the reader of war’s baseness and cruelty; however, many readers will surely consider these images to be tasteless or even a glorifi cation of the violence that occurred on July 1– 3, 1863. Of course, judging the appropriateness of placing digitally eviscerated reenactors into a picture book belongs to the discretion of the individual reader, but prospective buyers should be encouraged to preview the images fi rst, as some will fi nd them disturbing, revolting, or off ensive. In short, Seething Hell is a lengthy anthology of wellknown fi rsthand accounts, speckled with computergenerated blood and gore. Timothy J. Orr Old Dominion University","PeriodicalId":268075,"journal":{"name":"Gettysburg Magazine","volume":"9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Second Day at Gettysburg: The Attack and Defense of Cemetery Ridge, July 2, 1863 by David L. Shultz and Scott L. Mingus (review)\",\"authors\":\"Robert Grandchamp\",\"doi\":\"10.1353/get.2017.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"depicts a Confederate reenactor’s head splitting open, presumably at the moment it is struck by an artillery fragment. Undoubtedly, the author hoped these images would remind the reader of war’s baseness and cruelty; however, many readers will surely consider these images to be tasteless or even a glorifi cation of the violence that occurred on July 1– 3, 1863. Of course, judging the appropriateness of placing digitally eviscerated reenactors into a picture book belongs to the discretion of the individual reader, but prospective buyers should be encouraged to preview the images fi rst, as some will fi nd them disturbing, revolting, or off ensive. In short, Seething Hell is a lengthy anthology of wellknown fi rsthand accounts, speckled with computergenerated blood and gore. Timothy J. Orr Old Dominion University\",\"PeriodicalId\":268075,\"journal\":{\"name\":\"Gettysburg Magazine\",\"volume\":\"9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-02-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gettysburg Magazine\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/get.2017.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gettysburg Magazine","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/get.2017.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这幅画描绘了一个南方邦联重演者的头裂开,大概是在被炮弹碎片击中的那一刻。毫无疑问,作者希望这些画面能提醒读者战争的卑劣和残酷;然而,许多读者肯定会认为这些图片毫无品味,甚至是对1863年7月1日至3日发生的暴力事件的美化。当然,判断将数字剔除的再现者放入图画书的适当性属于个人读者的自由裁量权,但应该鼓励潜在的买家首先预览这些图像,因为有些人会觉得它们令人不安,令人反感或令人反感。简而言之,《沸腾的地狱》是一部冗长的选集,收录了著名的第一手资料,点缀着电脑生成的血腥和血腥。Timothy J. Orr Old Dominion University
The Second Day at Gettysburg: The Attack and Defense of Cemetery Ridge, July 2, 1863 by David L. Shultz and Scott L. Mingus (review)
depicts a Confederate reenactor’s head splitting open, presumably at the moment it is struck by an artillery fragment. Undoubtedly, the author hoped these images would remind the reader of war’s baseness and cruelty; however, many readers will surely consider these images to be tasteless or even a glorifi cation of the violence that occurred on July 1– 3, 1863. Of course, judging the appropriateness of placing digitally eviscerated reenactors into a picture book belongs to the discretion of the individual reader, but prospective buyers should be encouraged to preview the images fi rst, as some will fi nd them disturbing, revolting, or off ensive. In short, Seething Hell is a lengthy anthology of wellknown fi rsthand accounts, speckled with computergenerated blood and gore. Timothy J. Orr Old Dominion University