A. Koval
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引用次数: 0

摘要

本研究的目的是调查视觉内容的作者和消费者之前的经验在社交媒体中视觉图像的表现和感知中起什么作用。研究方法。本文运用分析、综合、类比、抽象等方法,实证了社交媒体视觉传播中经验和认知过程的作用。指出了一些视觉图像评估方法的优点和缺点。视觉形象是现代文化中最有趣、最复杂的元素之一。图像可以克服语言和文化、时间和空间的障碍,使交流达到一个质的新水平。尽管视觉传播的各个方面,特别是视觉图像在科学观点中已经得到了相当彻底的体现,但视觉内容的作者和消费者的经验所起的作用仍然需要理论和实践的证明。社交媒体中视觉传播的因素之一是其作者之前的认知态度。将视觉图像分为正面和反面,不允许使用这种视觉传达手段的所有可能性。现实意义。研究结果可用于学习视觉传播和社交媒体课程的过程中,如“新闻学”,“广告与公共关系”,“信息事务”等专业,也可用于媒体从业者研究塑造媒体现实的工具。关键词:视觉图像,社交媒体,体验,认知态度,认知过程
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ДОСВІД ЯК СКЛАДОВА РОБОТИ З ВІЗУАЛЬНИМИ ОБРАЗАМИ В СОЦІАЛЬНИХ МЕДІА

The purpose of the study is to investigate what role the previous experience of authors and consumers of visual content plays in the representation and perception of visual images in social media.

Research methodology. Using the methods of analysis, synthesis, analogy, and abstraction, the article substantiates the role of experience and cognitive processes in visual communication in social media. The positive aspects and shortcomings of some approaches to the assessment of visual images are identified.

Results. Visual images are one of the most interesting and complex elements of modern culture. Images make it possible to overcome language and cultural, time and space barriers, to bring communication to a qualitatively new level. Despite the fact that various aspects of visual communication in general and visual images in particular are quite thoroughly presented in scientific opinion, the role of the experience of authors and consumers of visual content still needs theoretical and practical justification.

Novelty. One of the factors of visual communication in social media is the previous cognitive attitudes of its authors. The division of visual images into positive and negative does not allow using all the possibilities of this means of visual communication.

Practical significance. The results of the research can be used in the process of studying courses on visual communication and social media, with specialties «Journalism», «Advertising and Public Relations», «Information Affairs», as well as by media practitioners in the study of tools for shaping media reality.

Key words: visual images, social media, experience, cognitive attitudes, cognitive processes.

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