{"title":"爱立信“行”","authors":"Alain Gourrier, Stephanie Gilgar","doi":"10.1145/945191.945205","DOIUrl":null,"url":null,"abstract":"Beginning with a simple animated line drawing, the commercial progresses into a full human animation, for Ericsson and agency Young & Rubicam. The spot was directed by Alain Gourrier, and produced by Stephanie Gilgar for Digital Domain. Keith Huggins was the animation lead and Jean Luc Azziz was the compositing supervisor. The spot was created principally in Maya, but the lines were rendered in Lightwave. Compositing was created in Flame. Natasha Rand served as the art director. Copyright held by creator.","PeriodicalId":188896,"journal":{"name":"ACM SIGGRAPH 2001 video review on Animation theater program","volume":"9 5","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ERICSSON ''LINES''\",\"authors\":\"Alain Gourrier, Stephanie Gilgar\",\"doi\":\"10.1145/945191.945205\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Beginning with a simple animated line drawing, the commercial progresses into a full human animation, for Ericsson and agency Young & Rubicam. The spot was directed by Alain Gourrier, and produced by Stephanie Gilgar for Digital Domain. Keith Huggins was the animation lead and Jean Luc Azziz was the compositing supervisor. The spot was created principally in Maya, but the lines were rendered in Lightwave. Compositing was created in Flame. Natasha Rand served as the art director. Copyright held by creator.\",\"PeriodicalId\":188896,\"journal\":{\"name\":\"ACM SIGGRAPH 2001 video review on Animation theater program\",\"volume\":\"9 5\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2001-08-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ACM SIGGRAPH 2001 video review on Animation theater program\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/945191.945205\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACM SIGGRAPH 2001 video review on Animation theater program","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/945191.945205","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Beginning with a simple animated line drawing, the commercial progresses into a full human animation, for Ericsson and agency Young & Rubicam. The spot was directed by Alain Gourrier, and produced by Stephanie Gilgar for Digital Domain. Keith Huggins was the animation lead and Jean Luc Azziz was the compositing supervisor. The spot was created principally in Maya, but the lines were rendered in Lightwave. Compositing was created in Flame. Natasha Rand served as the art director. Copyright held by creator.