建筑“姿态图”的变迁

道夫 加藤
{"title":"建筑“姿态图”的变迁","authors":"道夫 加藤","doi":"10.5989/JSGS.32.3_3","DOIUrl":null,"url":null,"abstract":"This survey treats architectural pictorial sketches from Vitruvius to 20th century. According to pictorial sketches, we can't have no rigorous definition because there were various types of pictorial sketches before their definition by projection method was made. So to understand the usage of these sketches, we have to look into various drawings historically. The conclusion is following. 1) Perspective method after Renaissance is an important one, because it simulates human perceptions as the imitating image of a retina one. 2) Axonometric drawings can represent architecture objectively setting a fixed view point free. So this method can be seen as a simulation of our recognition. 3) But we can't understand the change from perspectives to axonometric drawings as an evolutionary one. Because we can see various types of pictorial sketches after the Middle Ages, where we can find various devices such as Villard de Honnecourt's sketches or Du Cerseau's ones.","PeriodicalId":101829,"journal":{"name":"Journal of graphic science of Japan","volume":"87 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1998-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"建築における「姿図」の変遷\",\"authors\":\"道夫 加藤\",\"doi\":\"10.5989/JSGS.32.3_3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This survey treats architectural pictorial sketches from Vitruvius to 20th century. According to pictorial sketches, we can't have no rigorous definition because there were various types of pictorial sketches before their definition by projection method was made. So to understand the usage of these sketches, we have to look into various drawings historically. The conclusion is following. 1) Perspective method after Renaissance is an important one, because it simulates human perceptions as the imitating image of a retina one. 2) Axonometric drawings can represent architecture objectively setting a fixed view point free. So this method can be seen as a simulation of our recognition. 3) But we can't understand the change from perspectives to axonometric drawings as an evolutionary one. Because we can see various types of pictorial sketches after the Middle Ages, where we can find various devices such as Villard de Honnecourt's sketches or Du Cerseau's ones.\",\"PeriodicalId\":101829,\"journal\":{\"name\":\"Journal of graphic science of Japan\",\"volume\":\"87 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1998-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of graphic science of Japan\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5989/JSGS.32.3_3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of graphic science of Japan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5989/JSGS.32.3_3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本调查处理从维特鲁威到20世纪的建筑绘画草图。根据写真,我们不可能没有严格的定义,因为在用投影法定义写真之前,写真的种类是多种多样的。因此,为了理解这些草图的用法,我们必须研究历史上各种各样的绘画。结论如下。1)文艺复兴之后的透视法是一种重要的透视法,因为它模拟人类的感知,是视网膜的模仿图像。2)轴测图可以客观地表现建筑,不受固定视点的限制。所以这个方法可以看作是模拟我们的识别。3)但我们不能把从透视到轴测图的变化理解为一种进化。因为我们可以看到中世纪以后各种各样的写生,在那里我们可以找到各种各样的装置,比如维拉德·德·洪内古尔的写生或者杜·瑟索的写生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
建築における「姿図」の変遷
This survey treats architectural pictorial sketches from Vitruvius to 20th century. According to pictorial sketches, we can't have no rigorous definition because there were various types of pictorial sketches before their definition by projection method was made. So to understand the usage of these sketches, we have to look into various drawings historically. The conclusion is following. 1) Perspective method after Renaissance is an important one, because it simulates human perceptions as the imitating image of a retina one. 2) Axonometric drawings can represent architecture objectively setting a fixed view point free. So this method can be seen as a simulation of our recognition. 3) But we can't understand the change from perspectives to axonometric drawings as an evolutionary one. Because we can see various types of pictorial sketches after the Middle Ages, where we can find various devices such as Villard de Honnecourt's sketches or Du Cerseau's ones.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信