利用开放源代码的机器人听音软件HARK对一只日本丛林莺的生态声学动态进行了实地观察

Reiji Suzuki, Shinji Sumitani, Naren Naren, Shiho Matsubayashi, Takaya Arita, K. Nakadai, HIroshi G. Okuno
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引用次数: 11

摘要

我们报告了一个简单而实际的应用,HARK是一个易于获得和便携式的鸟类歌曲定位系统,使用开源的机器人试听软件HARK,更深入地了解鸟类歌曲的生态声学动力学,重点是在回放实验中对歌曲运动-歌曲类型动态进行精细的时间分析。我们对HARKBird进行了扩展,构建了一个系统,可以在不同条件下进行自动回放和交互实验,实时记录和定位声源。我们研究了同一鸣声的播放和播放模式如何影响两种鸣声的发声和空间运动,定量地表明鸣声类型和空间运动之间存在很强的关系。我们还使用名为Bird song explorer的软件模拟了焦点个体歌唱行为的生态声学动态,该软件使用3D游戏平台Unity为用户提供了鸟类歌曲声学动态的虚拟体验。基于实验结果,我们讨论了我们的方法如何在声音的两个不同角色方面为生态声学做出贡献:声音作为工具和主体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Field observations of ecoacoustic dynamics of a Japanese bush warbler using an open-source software for robot audition HARK
We report on a simple and practical application of HARK, an easily available and portable system for bird song localization using an open-source software for robot audition HARK, to a deeper understanding of ecoacoustic dynamics of bird songs, focusing on a fine-scaled temporal analysis of song movement — song type dynamics in playback experiments. We extended HARKBird and constructed a system that enables us to conduct automatic playback and interactive experiments with different conditions, with a real-time recording and localization of sound sources. We investigate how playback of conspecific songs and playback patterns can affect vocalization of two types of songs and spatial movement of an individual of Japanese bush-warbler, showing quantitatively that there exist strong relationships between song type and spatial movement. We also simulated the ecoacoustic dynamics of the singing behavior of the focal individual using a software, termed Bird song explorer, which provides users a virtual experience of acoustic dynamics of bird songs using a 3D game platform Unity. Based on experimental results, we discuss how our approach can contribute to ecoacoustics in terms of two different roles of sounds: sounds as tools and subjects.
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