{"title":"伍尔夫作为一个模型建造者:《灌木颂》中的复杂形式","authors":"Adam Hammond","doi":"10.3828/liverpool/9781942954569.003.0019","DOIUrl":null,"url":null,"abstract":"This chapter argues that literary studies is returning to the concerns of the modernist period and interests of Woolf. Hammond draws on complexity theory to present Woolf as a model builder: she understood that the form was interactive and so provides impressions rather than telling reader what exists.","PeriodicalId":402065,"journal":{"name":"Virginia Woolf and the World of Books","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Woolf as a Model Builder: Complex Form in the “Ode to Cutbush”\",\"authors\":\"Adam Hammond\",\"doi\":\"10.3828/liverpool/9781942954569.003.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter argues that literary studies is returning to the concerns of the modernist period and interests of Woolf. Hammond draws on complexity theory to present Woolf as a model builder: she understood that the form was interactive and so provides impressions rather than telling reader what exists.\",\"PeriodicalId\":402065,\"journal\":{\"name\":\"Virginia Woolf and the World of Books\",\"volume\":\"34 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Virginia Woolf and the World of Books\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/liverpool/9781942954569.003.0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Virginia Woolf and the World of Books","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/liverpool/9781942954569.003.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Woolf as a Model Builder: Complex Form in the “Ode to Cutbush”
This chapter argues that literary studies is returning to the concerns of the modernist period and interests of Woolf. Hammond draws on complexity theory to present Woolf as a model builder: she understood that the form was interactive and so provides impressions rather than telling reader what exists.
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