变性喜剧和变性关怀

R. Samer
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引用次数: 0

摘要

马拉蒂诺比较了两块广告牌,一块是2019年7月在底特律发现的,上面写着“跨性别者的生命是神圣的”,另一块是2018年11月(2020年、25-26日和30-31日)在约书亚树和二十九棕榈边界附近放置的,上面写着“跨性别者应该得到医疗、支持、正义、安全、爱”。(没有什么比把你的朋友打扮成霓虹灯卡通外星人,用时髦的配饰刺死你的朋友更能避免孤立、疾病和日常的职场歧视了,我说的对吗?)游戏、笑声和笑话——集体努力,与他人一起完成,无论是真实的还是想象的,现在的还是遥远的(弗洛伊德,1905;柏格森,1912)——是通过媒体传递关怀的关键。另一方面,通过媒体,包括我们自己制作的喜剧,一起玩耍,可以采取一种照顾的形式,我们反过来让彼此活着。这是几十年来的最新一次讽刺,在这个讽刺中,直男/直男暴露出自己依赖于他们拒绝接受的变性人和酷儿群体的医疗保健,但有了新的有毒转折,一张恶搞跨性别理论家保罗·b·普雷西亚多(Paul B. Preciado)的《特图瘾君子》(Testo Junkies)封面的图片很快在跨性别互联网上流传。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Trans Comedy as Trans Care
Malatino compares two billboards, one declaring "Trans lives are sacred," found in Detroit in July 2019, and one stating "Trans people deserve health care, support, justice, safety, love," stationed near the border of Joshua Tree and Twentynine Palms in November 2018 (2020, 25–26 and 30–31). (Nothing works for staving off isolation, illness, and routine workplace discrimination like stabbing your friends dressed as a neon cartoon alien with funky accessories, am I right?) Play, laughter, and jokes—collective endeavors, done with others, whether real or imaginary, present or distant (Freud 1905, Bergson 1912)—are key to trans care via media2. Playing together, via media, including the comedy of our own making, on the other hand, can take on a form of care, and we in turn keep each other alive. The newest iteration of the decades-long irony wherein cis/straight people reveal themselves as relying on the very healthcare they would deny trans and queer folks but with a new toxic twist, a spoof image of the cover of trans theorist Paul B. Preciado's Testo Junkies with Rogan photoshopped on the cover was soon circulating through the trans internet.
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