穆尼·莫辛《纯真的终结》中的性别角色与次等性——女性主义文学分析

Kalsoom Afzaal, Farwa Zahoor, Muhammad Salman Sajid
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引用次数: 0

摘要

这项研究以女权运动为基础,女权运动生动地挑战了社会的基本社会结构,多年来,女性一直被用作抑郁症的工具。这项研究探讨了在这样的社会中存在的关于女性气质和男性气质的刻板印象,也揭示了女性在父权社会中是如何社会化的。该研究还调查了巴基斯坦文学和媒体如何描绘女性,并强调了她们所经历的偏见和虐待。此外,该研究着眼于后殖民理论家加亚特里·查克拉瓦蒂·斯皮瓦克的作品,他的批判观点集中在压迫制度上。斯皮瓦克通过对西方学术知识的解构,批判了下层社会所面临的局限和分化。最后,本文深入研究了穆尼·莫辛的小说《纯真的终结》,这部小说讲述了拉尼和莱拉在西巴基斯坦的爱情故事,同时突出了这个国家对妇女的压迫和虐待。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gender Role and Subalternity in Mouni Mohsin's The End of Innocence: A Feminist Literary Analysis
The study is based on the feminist movement, which has vividly challenged the basic social structures of society, through which for many years' women are being used as a tool of depression. The study explores the stereotypical notions of femininity and masculinity that are present in such societies and it also sheds light on how women are socialized in patriarchal societies. The study also examines how women are portrayed in Pakistani literature and media and emphasize what type of prejudice and mistreatment they experience. Furthermore, the research looks at the works of postcolonial theorist Gayatri Chakravarty Spivak, whose critical perspectives are centred on oppressive systems. Spivak criticizes the limitations and divisions faced by subalterns through her deconstruction of Western academic knowledge. Finally, the paper delves into Mouni Mohsin's novel The End of Innocence, which tells the love story of Rani and Laila in West Pakistan while highlighting the oppression and mistreatment of women in the country.
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