《托尼·莫里森:最蓝的眼睛》(1970)、《秀拉》(1973)和《所罗门之歌》(1977)中黑人社区的写照。

Ferdinand Kpohoué
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引用次数: 4

摘要

本文旨在研究托妮·莫里森在她的三部小说《最蓝的眼睛》(1970)、《秀拉》(1973)和《所罗门之歌》(1977)中对黑人社区行为的定位。托妮·莫里森的小说特别从一个特定的角度描绘了黑人社区,这个角度在很大程度上是由占主导地位的白人社会及其标准所定义和共享的。《最蓝的眼睛》以莫里森的家乡俄亥俄州洛雷恩为背景。在这部小说中,洛兰的黑人社区与上层阶级的白人社区是分开的,也被称为湖岸公园,一个黑人不允许进入的地方。至于苏拉,故事背景是俄亥俄州的一个小镇,坐落在一个被称为“波顿”的山坡上。《所罗门之歌》将读者带入了一个引人入胜的黑人社区,一个独立的实体,但却从未远离白人世界。小说的第一页描述了“不是医生街”和“没有仁慈医院”。这些名字在非裔美国人社区中使用,但是非官方的,不被白人城市统治者认可,他们将其称为梅恩斯大道和仁慈医院。简而言之,《所罗门之歌》的故事背景是密歇根州、宾夕法尼亚州和弗吉尼亚州的一座无名城市。研究表明,一直存在着一个以黑人社区为标准的白人社区和一个压迫和剥削其人民的机器。这种平行实际上是对身份的追求在莫里森的小说中无处不在因为她是一位非裔美国作家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The black community portrayal in toni morrison: the bluest eye (1970), sula (1973) and song of solomon (1977)
This paper aims at investigating Toni Morrison’s endeavor to locate the black community’s actions in three of her novels: The Bluest Eye (1970), Sula (1973), and Song of Solomon (1977). Toni Morrison’s novels have particularly depicted the black community from a specific perspective, the one that is largely defined and shared by the dominant white society and its standards. The Bluest Eye sets in Morrison’s hometown, Lorain, Ohio. In this novel, the black community in Lorain is separated from the upper-class white community, also known as Lake Shore Park, a place where blacks are not permitted. As for Sula the setting is a small town in Ohio, located on a hil lside known as “Bottom”. Song of Solomon plunges the reader into the absorbing black community, a standalone entity, but yet never far removed from the white world. The first pages of the novel describe “Not Doctor Street” and “No Mercy Hospital”. These na mes are used within the African-American community but are unofficial and not recognized by the white city rulers who instead identify them as Mains Avenue and Mercy Hospital. In short, the setting for Song of Solomon is an anonymous city in Michigan, Pennsylvania, and Virginia. The study has revealed that there always exists a white community bordering the black community as its standard and a machine to repress and exploit its people. This parallel which is actually a quest for identity is omnipresent in Morrison’s novels surely because she is an African American writer.
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