{"title":"后宗教美学与批判理论","authors":"C. Hudson","doi":"10.1163/9789047404941_007","DOIUrl":null,"url":null,"abstract":"In this essay I raise the problem of how Critical Theory can deal \nwith the antimundane. To do so, in part one, I discuss the theological \naesthetics of the Swiss German theologian Hans Urs von \nBalthasar and suggest that, despite its confessional and hieratic \nfeatures, it can be read as an entry into a postreligious aesthetics.","PeriodicalId":317600,"journal":{"name":"Critical Theory After Habermas","volume":"31 5","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Postreligious Aesthetics and Critical Theory\",\"authors\":\"C. Hudson\",\"doi\":\"10.1163/9789047404941_007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this essay I raise the problem of how Critical Theory can deal \\nwith the antimundane. To do so, in part one, I discuss the theological \\naesthetics of the Swiss German theologian Hans Urs von \\nBalthasar and suggest that, despite its confessional and hieratic \\nfeatures, it can be read as an entry into a postreligious aesthetics.\",\"PeriodicalId\":317600,\"journal\":{\"name\":\"Critical Theory After Habermas\",\"volume\":\"31 5\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Theory After Habermas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/9789047404941_007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Theory After Habermas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789047404941_007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在本文中,我提出了批判理论如何处理反世俗的问题。为此,在第一部分中,我讨论了瑞士-德国神学家汉斯·乌尔斯·冯·巴尔塔萨(Hans Urs von Balthasar)的神学美学,并提出,尽管它具有忏悔和等级的特征,但它可以被解读为进入后宗教美学的入口。
In this essay I raise the problem of how Critical Theory can deal
with the antimundane. To do so, in part one, I discuss the theological
aesthetics of the Swiss German theologian Hans Urs von
Balthasar and suggest that, despite its confessional and hieratic
features, it can be read as an entry into a postreligious aesthetics.