迪伦的传记修辞与亡命之徒英雄的神话。

J. J. Makay, Alberto González
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引用次数: 9

摘要

本文扩展了音乐修辞的文献,特别是鲍勃·迪伦歌曲的修辞潜力。本文关注的是迪伦的传记性歌曲,这一流派在很大程度上被学者们所忽视。在这些歌曲的歌词中,迪伦宣扬了不法英雄的神话,并通过呼吁三个道德特征:抵制腐败的权威、自我的完整性和简单性,提供了强有力的文化批评。我们认为,迪伦对亡命之徒英雄神话的运用建立了他作为一个忠于美国文化体系的局外人的气质,他成功地批评了我们的文化。我们展示了迪伦对传记修辞的使用如何定义了一种社会背景,并吸引了大量被他的作品吸引的观众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dylan's Biographical Rhetoric and the Myth of the Outlaw Hero.
This essay extends the literature on the rhetoric of music, specifically the rhetorical potential of Bob Dylan's songs. The paper focuses on Dylan's biographical songs, a genre largely overlooked by scholars. In the lyrics of these songs Dylan promotes the myth of the outlaw‐hero and offers powerful cultural criticism by appealing to three ethical traits: resistance to corrupt authority, integrity of the self, and simplicity. We contend that Dylan's use of the myth of the outlaw hero builds his own ethos as an outsider loyal to American cultural systems who successfully criticizes our culture. We show how Dylan's use of biographical rhetoric defines a social context with appeal to the vast audience attracted to his work.
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