(二)“轻旅冲锋”的种族化

D. Hack
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引用次数: 0

摘要

本章探讨丁尼生的《轻骑兵的冲锋》的非裔美国化。它认为,《轻骑兵》之所以成为这类任务的灵感之选,是因为它的历史和历史性。有一段历史将丁尼生的诗与非裔美国人文化联系起来,在这段历史中,这种关系被各种各样的解释和激烈的争论。正如这一章所示,从它出版的那一刻起,“轻骑兵的冲锋”就被动员起来,尤其是非裔美国人,作为一个解决某些问题的网站或工具。这些问题包括:非裔美国人与主流文化传统的关系;种族间文化竞争、模仿和挪用的本质和政治;诗歌、艺术和暴力在争取种族权力和平等的斗争中所扮演的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
(Re-)Racializing “The Charge of the Light Brigade”
This chapter discusses the African Americanization of “The Charge of the Light Brigade” by Alfred, Lord Tennyson. It argues that what makes “The Light Brigade” an inspired choice for this kind of task is its history and historicity. There exists a history of placing Tennyson's poem in relation to African American culture, and this history is one in which this relationship has been variously construed and vigorously contested. As the chapter shows, from the moment it was published, “The Charge of the Light Brigade” was mobilized, especially though not exclusively by African Americans, as a site or tool to address certain issues. These include: the relationship of African Americans to the dominant cultural tradition; the nature and politics of interracial cultural rivalry, mimicry, and appropriation; and the role of poetry and the arts—and violence—in the fight for racial empowerment and equality.
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