寻找历史真相的立陶宛文学:独立三十年

Audinga Peluritytė-Tikuišienė
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摘要

本文着眼于立陶宛文化中歌唱革命的开始,并试图找出最重要的主导特征,以了解文学的整体新变化。面对政治动荡,这样一个主导特征就是真理问题;然而,与苏联时代社会现实主义共存的浪漫主义、新浪漫主义、现代新浪漫主义诗歌传统,以及实验性的诗歌传统,并没有提出这样的真理问题,而只是反映了民族的集体期望。在苏联占领的几十年里,立陶宛文学的发展是高度分散的,1989年夏天,侨民诗人贝尔纳达斯(Bernardas Brazdžionis)访问立陶宛时,文学的发展使立陶宛团结起来。诗歌文本在Sąjūdis(改革运动)的第一次示威中占主导地位,但在试图理解它们在立陶宛文化和文学话语中的地位时,我们需要承认诗歌在整个苏联时期的主导性质:诗歌在文化体系中占有一席之地,它提出了大量棘手的问题,追求哲学的深度,即使在严格的审查条件下,也能不断地解决最深刻的形而上学问题。立陶宛散文避开了社会现实主义的要求来描绘世界和参与阶级斗争的人物,也在诗歌体系中找到了支持,创造了一种非线性但连贯的叙事,隐喻占主导地位。立陶宛散文诗在独立的立陶宛也成为了审美品质的标志,在那里,真理的问题,对获得独立很重要,找到了与诗歌相似的方式——从回忆录和散文到美学和小散文。在独立之初,诗歌为立陶宛散文提供了思想、主题、世界观念和审美解决方案,也与回忆录和散文融合在一起,从而成为讲述真相的话语的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lithuanian Literature in Search of Historical Truth: Three Decades of Independence
The article focuses on the beginning of the Singing Revolution in Lithuanian culture and tries to identify the most significant dominant features in order to understand the entirety of the new changes in literature. In the face of political upheaval, such a dominant feature was the question of truth; however, the well-established poetry tradition – romantic, neo-romantic, modern neo-romantic, which coexisted with social realism in Soviet times, and experimental – did not raise such questions of truth but only reflected the nation’s collective expectations. The evolution of Lithuanian literature, which was highly fragmented during all the decades of the Soviet occupation, united the country through the expatriate poet Bernardas Brazdžionis while he was visiting Lithuania in the summer of 1989. Poetic texts predominated during the first demonstrations of Sąjūdis (the Reform Movement), but while trying to understand their position in the general Lithuanian culture and literature discourse, one needs to acknowledge the leading nature of poetry throughout the Soviet times: having its niche in the cultural system, poetry posed a large number of vexed questions, sought philosophical profundity, and was able to constantly address the deepest metaphysical questions even in strict censorship conditions. Lithuanian prose, which evaded the requirement by the doctrine of social realism to portray the world and characters engaged in class struggles, also found support in the poetry system and created a non-linear but coherent narrative where metaphors prevail. Lithuanian prose poetry became a sign of esthetic quality in independent Lithuania too, where the question of truth, which was important for achieving independence, found a way similar to that of poetry – through memoirs and essays to esthetics and little prose. At the beginning of independence, poetry, which had fed Lithuanian prose with its ideas, themes, conception of the world and esthetic solutions, also merged with memoirs and essays, thus being part of the discourse of telling the truth.
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