“他递给她一个鸡蛋”:《记忆的艺术》,凯瑟琳·曼斯菲尔德与普鲁斯特

Anne Mounic
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引用次数: 0

摘要

通过对凯瑟琳·曼斯菲尔德(Katherine Mansfield)的《Feuille d’album》的详细分析,本文将确定法国哲学家亨利·柏格森(Henri Bergson)、作家马塞尔·普鲁斯特(Marcel Proust)和曼斯菲尔德本人在记忆和想象方面的相似之处,以及普鲁斯特所谓的“现实感”,通过这两种能力在当下的联系获得。曼斯菲尔德在1922年给丈夫的信中写道:“我想要真实。”这种现实感是艺术家在当下的成就,而由此获得的时间充实感似乎属于不可能的领域。然而,一件艺术作品打开了一个可能的世界,正如“Feuille d’album”的矛盾结尾所暗示的那样,这个故事可以被认为是一个关于写作艺术的寓言,因此可以与莎士比亚的《冬天的故事》的最后一幕相提并论,在那里,艺术——尤其是文字、音乐和节奏——创造了一个鲜活的记忆,一个复活的实例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘And he handed her an egg’: The Art of Memory in ‘Feuille d'Album’, Katherine Mansfield and Proust
Through a detailed analysis of Katherine Mansfield's ‘Feuille d'Album’, this essay will identify affinities between the French philosopher Henri Bergson, the writer Marcel Proust and Mansfield herself, in terms of memory and imagination, and what Proust called the ‘sense of reality’, acquired through the connection of both these faculties in the present moment. Mansfield wrote to her husband in 1922: ‘I want to be REAL’. That sense of reality is the artist's achievement in the present moment and the sense of the fullness of time thus obtained seems to belong to the realm of the impossible. A work of art nevertheless opens up the world of the possible, as suggested by the paradoxical end to ‘Feuille d'Album’, a story that can be considered as a parable of the art of writing and might therefore be placed side by side with the last act of Shakespeare's Winter's Tale, where art – and especially words, music, and rhythm – creates a figure of living memory, an instance of resurrection.
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