审查,剧本,压制和选择:二十世纪福克斯和柏林空运的故事,《大电梯》和《它始于一个吻》,1950-1953

Tobias Hochscherf, C. Laucht
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引用次数: 1

摘要

摘要:本文分析了二十世纪福克斯公司半纪实性故事片《大电梯》(1950)及其德语版本《一切从一个吻开始》(1953)在政治、经济、创意和文化等各个层面的审查制度。除了冷战早期的政治背景外,它还将这两个版本置于电影制片厂当时面临的重大社会经济变化之中。在这项研究中,该研究还首次全面比较了《大劫》与西德发行版本,考察了删减和配音对故事情节的本质和影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Censorship, Scripts, Suppression, and Selection: Twentieth Century-Fox and the Story of the Berlin Airlift in The Big Lift and Es begann mit einem Kuß (It Started with a Kiss), 1950–1953
ABSTRACT:This article analyzes various political, economic, creative, and cultural levels of censorship in Twentieth Century-Fox’s semidocumentary feature film The Big Lift (1950) and its German-language release version Es begann mit einem Kuß (It Started with a Kiss, 1953). Alongside the political context of the early Cold War, it locates the two versions within major socioeconomic changes that film studios faced at the time. In this, the study also offers the first comprehensive comparison of The Big Lift with its West German release version, examining the nature and impact of cuts and dubbing on the plot of Es begann mit einem Kuß.
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