{"title":"照顾者的朋友:戴尔芬·德·维甘特权地位的限制和漂移","authors":"Lucile Mulat, Stéphanie Proulx","doi":"10.7202/1097825ar","DOIUrl":null,"url":null,"abstract":": Contemporary French literature is giving more and more space to representations of vulnerability and to those who try to minimize it. Delphine de Vigan’s novels are part of this trend, as they put forward caring figures, one of which is little recognized and studied: the friend. This article, which focuses on the novels No et moi and D’après une histoire vraie","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L’amie caregiver : limites et dérives d’une position privilégiée chez Delphine de Vigan\",\"authors\":\"Lucile Mulat, Stéphanie Proulx\",\"doi\":\"10.7202/1097825ar\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": Contemporary French literature is giving more and more space to representations of vulnerability and to those who try to minimize it. Delphine de Vigan’s novels are part of this trend, as they put forward caring figures, one of which is little recognized and studied: the friend. This article, which focuses on the novels No et moi and D’après une histoire vraie\",\"PeriodicalId\":281460,\"journal\":{\"name\":\"MuseMedusa: Revue de littérature et d’arts modernes\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MuseMedusa: Revue de littérature et d’arts modernes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7202/1097825ar\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MuseMedusa: Revue de littérature et d’arts modernes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1097825ar","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
当代法国文学给脆弱性的表现和那些试图将其最小化的人越来越多的空间。戴尔芬·德·维甘(Delphine de Vigan)的小说是这一趋势的一部分,因为他们提出了关怀的人物,其中一个很少被认识和研究:朋友。本文主要以小说《我没有》和《我的历史》为研究对象
L’amie caregiver : limites et dérives d’une position privilégiée chez Delphine de Vigan
: Contemporary French literature is giving more and more space to representations of vulnerability and to those who try to minimize it. Delphine de Vigan’s novels are part of this trend, as they put forward caring figures, one of which is little recognized and studied: the friend. This article, which focuses on the novels No et moi and D’après une histoire vraie