通过录像文献保存文化遗产:保存康提服饰社会文化传统的当代范例

De Silva S. S. V., P. Karunaratne, G. Ranathunga
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引用次数: 0

摘要

康提连衣裙的形成可以被认为是一种独特的雕刻技术,布料在身体上成型,定义了它的三维形状。从人类学和历史的角度来看,这种服装是最必要的,因为它是多样化的,原创的,并回应了一个完善的社会经济结构。康提是斯里兰卡最后一个王国,它拥有悠久而保存完好的传统,已被联合国教科文组织认定为世界文化遗产。然而,康提服饰及其悠久的服饰相关习俗并没有以教学或假设的方式进行研究或保存。在这些文化传统和它的背景一起消失之前,用视频的形式对这种传统服饰进行视觉探索和保存,对于提高后代的意识是必要的。本研究是基于对康提服饰保存概率的分析,通过录像记录。本研究旨在探讨影像文献法的优势、挑战、实践方法和超越方法,以阐明影像文献法作为一种实用的文化遗产保护方式。文化遗产的视频记录使其作者跨越人种学的界限,因此,它经常创造不可预测的条件和矛盾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Preservation of Cultural Heritage Through Video Documentation: A Contemporary Paradigm for Preserving the Socio-Cultural Tradition of the Kandyan Dress
The formation of Kandyan dress can be considered as a unique sculpting technique where fabric molds on the body defining its three-dimensional form. Anthropologically and historically this dress is most imperative as it is diverse, original and responded to a well- formed socio-economic structure. Kandy is the last kingdom of Sri Lanka heralds a history of long and preserved traditions which has been recognized as a UNESCO world cultural heritage. Yet, the Kandyan dress and its long-established dress related practices have not been studied or preserved in a pedagogical or hypothetical manner. Visual exploration and preservation of this traditional dress in video format is necessary for awareness building for future generations before these cultural traditions fade away along with its contexts. This study is based on an analysis of probability for preservation of Kandyan dress through video documentation. The study seeks to address the advantages, challenges, hands-on approaches and transcending methodology to illuminate video documentation method as a pragmatic way for preservation of cultural heritage. A video documentation of cultural heritage takes its author across ethnographic line and thus, it frequently creates unpredictable conditions and contradictions.
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