{"title":"“你没有权利打任何人”:《奥赛罗》和《奥姆卡拉》中的家庭暴力","authors":"Kelsey Ridge","doi":"10.1386/itj_00019_1","DOIUrl":null,"url":null,"abstract":"Alongside the infamous jealousy of Shakespeare’s Othello lies the domestic violence that brings the play to its dark conclusion. Vishal Bhardwaj’s 2006 Bollywood adaptation, Omkara, involves the same issues. The domestic violence, however, is present in different\n forms. It is a prominent part of Desdemona’s plot arc and an important element of Emilia’s backstory. Dolly’s experience mirrors that of Desdemona. However, Indu’s relationship with Langda is quite different from Emilia’s relationship with Iago. These alterations\n lead Indu and Langda, though not Dolly and Omkara, to different outcomes from their Shakespearean counterparts. This article contrasts the depiction of domestic violence in Othello and Omkara and examines what is gained through the change in the appropriation.","PeriodicalId":293433,"journal":{"name":"Indian Theatre Journal","volume":"242 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘You don’t have the right to hit anyone’: Domestic violence in Othello and Omkara\",\"authors\":\"Kelsey Ridge\",\"doi\":\"10.1386/itj_00019_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Alongside the infamous jealousy of Shakespeare’s Othello lies the domestic violence that brings the play to its dark conclusion. Vishal Bhardwaj’s 2006 Bollywood adaptation, Omkara, involves the same issues. The domestic violence, however, is present in different\\n forms. It is a prominent part of Desdemona’s plot arc and an important element of Emilia’s backstory. Dolly’s experience mirrors that of Desdemona. However, Indu’s relationship with Langda is quite different from Emilia’s relationship with Iago. These alterations\\n lead Indu and Langda, though not Dolly and Omkara, to different outcomes from their Shakespearean counterparts. This article contrasts the depiction of domestic violence in Othello and Omkara and examines what is gained through the change in the appropriation.\",\"PeriodicalId\":293433,\"journal\":{\"name\":\"Indian Theatre Journal\",\"volume\":\"242 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Indian Theatre Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/itj_00019_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indian Theatre Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/itj_00019_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
‘You don’t have the right to hit anyone’: Domestic violence in Othello and Omkara
Alongside the infamous jealousy of Shakespeare’s Othello lies the domestic violence that brings the play to its dark conclusion. Vishal Bhardwaj’s 2006 Bollywood adaptation, Omkara, involves the same issues. The domestic violence, however, is present in different
forms. It is a prominent part of Desdemona’s plot arc and an important element of Emilia’s backstory. Dolly’s experience mirrors that of Desdemona. However, Indu’s relationship with Langda is quite different from Emilia’s relationship with Iago. These alterations
lead Indu and Langda, though not Dolly and Omkara, to different outcomes from their Shakespearean counterparts. This article contrasts the depiction of domestic violence in Othello and Omkara and examines what is gained through the change in the appropriation.