从理论上讲——跨越学科走向存在的自我民族志之旅——成为一个实践型学者

M. Cavanagh
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引用次数: 1

摘要

成为一名博士学者需要改变身份和新的思维方式。对于那些有实践背景的人来说,很难将理论/学术与创造性/实践相结合。向学术性的方向发展,要求人们忘掉以前所持有的真理。从自我民族志开始,隐喻绘画为批判性反思开辟了空间——这对研究自己至关重要。在我从时装设计讲师到博士学者的旅程中,我画了三幅比喻性的画,表达了我的重要观点。每幅画都附有一个简短的叙述,并通过与我的博士导师的对话进一步分析。在撰写叙事和对话的过程中,我对理论的作用有了更深刻的认识,也让我看到了自己的身份是如何转变为一个学者的。同时,使用视觉作为有形的物体让我在利用我的实践背景资源的同时挑战熟悉的事物。结果是理论和实践的内在一致性,对我身份的变化有了更深刻的理解,对我不同的自我有了更深刻的理解。视觉方法的使用对于那些希望找到一种方法将他们当前学科的优势带入更学术的领域的人来说是有价值的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Theoretically Speaking – An Autoethnographic Journey in Crossing Disciplines to Being-Becoming a Practical Scholar
Becoming a PhD scholar requires a change in identity and new ways of thinking. This is difficult for those from practical backgrounds who struggle to merge the theoretical/scholarly with the creative/practical. Moving towards the scholarly calls for the unlearning of previously held truths. Starting autoethnographically, metaphorical drawings opened up space for critical reflection – crucial to researching oneself. Three metaphorical drawings were made for seminal points in my journey from a fashion design lecturer to a PhD scholar. Each drawing is accompanied by a short narrative and further analysed through conversations with my PhD supervisor. In writing the narratives and dialogue, deeper insights were gained in understanding the role of theory, allowing me to see how my identity was shifting into that of being a scholar. Simultaneously, using visuals as tangible objects allowed me to challenge the familiar while drawing on the resources of my practical background. The result was the inherent alignment of theory and practice, a deeper understanding of the changes within my identities and the alignment of my disparate selves. The use of visual methods has value for others wishing to find a way to bring the strengths of their current disciplines into a more scholarly realm.
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