国歌作为加纳高等教育机构的营销网站

G. Opoku
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引用次数: 1

摘要

至少在过去三十年的全球趋势是,高等教育机构不得不将自己置于自由市场经济的框架内。自由市场经济的一个核心原则是将高等教育机构重新设想为向“消费者”和“客户”提供产品和服务。这种当前智慧的一个暗示是,高等教育机构不得不通过现有的高等教育流派转向市场化的话语,以销售他们所拥有的产品和服务。本文从两个角度考察了这一趋势的全球性,一个是在高等教育机构如何在加纳的特定背景下看待自己方面,市场化已成为主要关注的程度;另一个是市场化话语在多大程度上殖民了圣歌等高等教育体裁。本研究以马丁和怀特的评价理论为框架,以加纳两所传统大学为研究对象,以加纳大学和海岸角大学的国歌为案例,对国歌作为加纳高等教育机构营销的网站进行了调查。分析表明,在国歌的创作中投入了极大的关注和意图,因为它们被视为推销制度的修辞工具。态度词汇的选择和使用,带有对大学及其基础设施、人力资本、服务和声誉的积极态度,是通过单一的立场来谈判的,以激发听众的兴趣,积极影响他们对大学的看法,使他们与他们的价值观保持一致,并赢得他们的忠诚。这项研究的一个含义是,尽管目前的学术研究强烈表明,高等教育的市场化是一个相对较新的现象,但在加纳的背景下,它一直是高等教育机构颂歌类型的中心,时间要长得多。因此,这项研究提供了证据,挑战了目前关于市场化在多大程度上是高等教育关注的问题的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The anthem as site for marketing Higher Education Institutions in Ghana
The global trend for at least the last three decades has been that Higher Education Institutions have had to place themselves within the framework of free market economies. One central principle of free market economies is the re-envisioning of Higher Education Institutions as offering products and services to ‘consumers’ and ‘clients. An implication of this current wisdom is that HEIs have had to turn to discourses of marketisation through existing HE genres to sell the products and services that they have. This paper examines the globality of this trend from two perspectives, one being the extent to which marketisation has become a primary concern in terms of how HEIs see themselves in the specific context of Ghana; and the other is the extent to which discourses of marketisation have colonised HE genres such as anthems. Employing Martin and White’s Appraisal theory as a framework, the study investigates the anthem as a site for marketing higher education institutions in Ghana by focusing on two traditional universities of Ghana, using the anthems of the University of Ghana and the University of Cape Coast as cases. The analysis reveals that great care and intentionality are invested into the creation of the anthems because they are viewed as a rhetorical apparatus for selling institutions. The choice and use of attitudinal lexis with inscribed and upscaled positive attitudes about the universities, their infrastructure, human capital, services, and reputation are negotiated through a monoglossic stance to stimulate the interest of the audience, positively influence their perceptions about the university, align them with their values, and win their loyalty. An implication of this study is that, although current scholarship suggests strongly that marketisation in HE is a relatively recent phenomenon, it has been at the centre of the genre of higher education institutional anthems in the context of Ghana for a far longer time. The study therefore provides evidence that challenges the current thinking about the extent to which marketisation has been a concern of HEIs.
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