{"title":"冲破记忆进入欲望","authors":"C. Kraus","doi":"10.1215/10418385-3822412","DOIUrl":null,"url":null,"abstract":"“Breaking through Memories into Desire” is a chapter from Chris Kraus’s forthcoming critical biography of experimental artist Kathy Acker (Semiotext(e), 2017). Drawing on private correspondence and philosophicalautobiographical artwork, Kraus’s chapter opens a window onto the New York 1970s art scene and makes a claim for the relationship between emotion, thinking, sexuality, collaboration, and artistic production.","PeriodicalId":232457,"journal":{"name":"Qui Parle: Critical Humanities and Social Sciences","volume":"49 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Breaking through Memories into Desire\",\"authors\":\"C. Kraus\",\"doi\":\"10.1215/10418385-3822412\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“Breaking through Memories into Desire” is a chapter from Chris Kraus’s forthcoming critical biography of experimental artist Kathy Acker (Semiotext(e), 2017). Drawing on private correspondence and philosophicalautobiographical artwork, Kraus’s chapter opens a window onto the New York 1970s art scene and makes a claim for the relationship between emotion, thinking, sexuality, collaboration, and artistic production.\",\"PeriodicalId\":232457,\"journal\":{\"name\":\"Qui Parle: Critical Humanities and Social Sciences\",\"volume\":\"49 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Qui Parle: Critical Humanities and Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/10418385-3822412\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Qui Parle: Critical Humanities and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/10418385-3822412","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Breaking through Memories into Desire” is a chapter from Chris Kraus’s forthcoming critical biography of experimental artist Kathy Acker (Semiotext(e), 2017). Drawing on private correspondence and philosophicalautobiographical artwork, Kraus’s chapter opens a window onto the New York 1970s art scene and makes a claim for the relationship between emotion, thinking, sexuality, collaboration, and artistic production.
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