论莱蒙托夫《恶魔》诗歌版本中隐含文本对等体的作用

M. Grebneva
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引用次数: 0

摘要

该出版物在比喻,主题,情节,构成层面上考察了隐藏文本对等物在诗歌“恶魔”版本中的作用。在莱蒙托夫(Lermontov)的《恶魔》(the Demon)这首诗的版本中,有不同版本的文本:未实现的,无人认领的,具有可变特征的,被之前和之后的选项所取代的,隐藏的。所列出的文本等价类型不仅证明了莱蒙托夫诗歌的图形特征,而且使识别加密信息成为可能,这些信息表明了作者在诗歌中工作的性质,强调了它们特殊的生产作用,表明了“恶魔”是如何逐渐变化的,如何随着时间的推移,它从一首浪漫的诗变成了一个诗意的故事。这种类型的文本对等可以强调爱情主题中堕落天使和魔鬼的意义,主要人物塔玛拉和王子的形象,显示诗歌情节是如何逐渐变化的,展示了构图的镜像结构,特别是由于等待,亲吻,死亡,手的动机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
About the Role of the Hidden Text Equivalents in the Editions of the Poem “The Demon” by Mikhail Lermontov
The publication examines the role of the hidden text equivalents in the editions of the poem “The Demon” at the figurative, thematic, plot, compositional levels. In the editions of the poem “The Demon” by Lermontov there are various equivalents of the text: unrealized, unclaimed, having a variable character, replaced by previous and subsequent options, hidden. The listed types of text equivalents not only testify to the graphic features of Lermontov's verse, but also make it possible to identify encrypted information demonstrating the nature of the author's work in the poem, to emphasize their special productive role, indicating how “The Demon” gradually changed, how over time it turned from a romantic poem into a poetic story. This type of the text equivalents allows to emphasize the meaning of the fallen angel and the devil in love themes, the images of the main character, Tamara and the prince, to show how the plot of the poem gradually changed, to demonstrate the mirror structure of the composition, in particular, due to the motives of waiting, the kiss, death, the hand.
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