在Boualem Sansal的作品中,伟大的浪漫主义地形的许可

Lisa Romain
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引用次数: 0

摘要

作为一个作家,他的主要斗争一直是不懈地追踪现成的思想结构,对博阿莱姆·桑萨尔来说,文学topoï的使用远非不言而喻。因此,主题的出现在他的小说中总是一种深思熟虑的审美和伦理选择的标志。因此,在他看来,17和18世纪的伟大文学topoï小说体现了一个充满力量的小说的黄金时代。面对残酷的现实,并期望完成法国读者对纪录片来源的期望,Boualem Sansal的作品不断地试图重申小说在现代文学美学中的作用,对他来说,小说在现代文学美学中过于驯服了。这就是我们可以理解他偶尔但有意义地使用topoï的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Permissivités des grands topoï romanesques dans l’œuvre de Boualem Sansal
Being an author whose main struggle has been to track down relentlessly ready-for-use thought structures, the use of literary topoï is far from being self-evident for Boualem Sansal. That’s why the appearance of a topos in his novels is always the sign of a thoughtful aesthetic and ethic choice. Thus, great literary topoï of 17th and 18th centuries novels embodies, in his mind, the golden age of a fully potent fiction. Dealing with a harsh reality and expected to complete french readership expectations of documentary sources, Boualem Sansal’s work constantly intends to reassert the role of a fiction that has been too much tamed, for him, in modern literary aesthetics. That’s the way we can understand his occasional but meaningful use of topoï.
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