极权主义与乌克兰文学:创伤记忆与对过去的揭示

Iryna Zbyr
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摘要

这篇文章强调了乌克兰文学中的极权主义主题,尤其展示了过去的创伤记忆和暴露,不同世代的作家对此有不同的解读。特别关注的是第一次世界大战后欧洲极权主义的原因及其对现代后极权主义文化的影响。这些文化主要包括乌克兰文化。无数的社会抗议、革命、顿巴斯战争与其说是地缘政治冲突的后果,不如说是回归乌克兰身份、表达民族创伤、识别文化和人类损失的永久尝试,这些在苏联解体后并没有立即发生。极权主义的问题也是决定其现代文学解释细节的关键,因为大多数艺术作品在不同程度上呼吁重建过去,它们第一次明确地用语言表达了那些仍然不方便、在乌克兰人自己中间引发误解的相关主题。今天,乌克兰文学表现出反对极权主义过去的双重立场。首先,我们从中读到对社会主义现实主义遗产的坚定抗议,这种遗产体现在对艺术自我表达的内在形式的长期探索中;第二,现代乌克兰文学诉诸于对多年极权主义恐怖经验所引起的文化停滞后果的全面修正。文章揭示了这一政权与言语艺术之间的联系,特别是与当时伪艺术文学思潮——社会现实主义的诞生有关。作者分析了利用文学作为宣传工具的特点。此外,现代研究的主要问题之一是艺术反思的现代方式和极权经验的阐述过程。特别是关于苏联时期被压迫人民的文化创伤,涉及到人权和自由、集中营、亵渎二战胜利神话、否认上帝等,影响着现代社会的行为,经常在欧洲政治中引发不可预测的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Totalitarianism and Ukrainian Literature: Traumatic Memory and Revelation of the Past
The article highlights the topic of totalitarianism in Ukrainian literature, in particular, shows the traumatic memory and exposure of the past, which is interpreted differently by writers of different generations. Particular attention is paid to the causes of totalitarianism in Europe after the World War I and its impact on modern post-totalitarian cultures. Such cultures include primarily Ukrainian. Numerous social protests, revolutions, the war in Donbass are not so much the consequences of geopolitical conflicts as permanent attempts to return to the Ukrainian identity, to express national traumas, to identify cultural and human losses, which did not happen immediately after the collapse of the USSR. The problem of totalitarianism is also key in determining the specifics of its modern literary interpretation, because most works of art, which to varying degrees appeal to the reconstruction of the past, for the first time clearly verbalize those relevant topics that are still inconvenient and provoke misunderstandings among Ukrainians themselves. Today Ukrainian literature demonstrates a double stance against the totalitarian past. First, we read in it a steady protest against the socialist-realist heritage, embodied in the long search for inherent forms of artistic self-expression; secondly, modern Ukrainian literature resorted to a total revision of the consequences of cultural stagnation provoked by the experience of many years of totalitarian terror. The article reveals the connections between this regime and the art of speech, in particular the birth of the pseudo-artistic literary trend of the time - social realism. The author analyzes the peculiarities of the use of literature as a tool of propaganda. In addition, one of the main problems of modern research is the modern ways of artistic rethinking and the process of elaboration of totalitarian experience. In particular, it is about the cultural trauma of oppressed peoples in the Soviet period, which is related to human rights and freedoms, concentration camps, desecration of the myth of victory in World War II, denial of God, etc., which affects the behavior of modern societies and often provokes unpredictable in European politics.
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