Сара З. Арва
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引用次数: 0

摘要

本研究的目的是分析米列科维奇诗集《希望的起源》(1960)中“诗歌批评”这一循环中的诗人形象。本文通过解读本系列中的几首诗歌,对抒情主体的地位提出了质疑,同时寻找抒情自我被诗人认同并被解释为诗歌主体的可能性——诗中的诗人或可能与其他诗人进行元诗歌对话的诗人。诗人的形象也是通过尼采和黑格尔的哲学方法来考虑的,这种矛盾的知识是沉思者和创造者固有的,但也限制了他们的毁灭。通过循环的结束,本研究也质疑了诗人的社会地位以及通过标题反转来解释循环的可能性-作为批评的诗歌-对未来诗学的批评,诗歌语言,诗歌和诗人的消失。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ФИГУРА ПЕСНИКА У ЦИКЛУСУ „КРИТИКА ПОЕЗИЈЕ” БРАНКА МИЉКОВИЋА
The aim of this research was to analyse the figure of the poet within the cycle „The Criticism of Poetry” from Miljković’s book of poetry Origin of Hope (1960). By interpreting several poems from the presented cycle, this paper questions the position of the lyrical subject, while seeking out the possibilities of the lyrical self being identified with poets and thus interpreted as a poetic subject – a poet within the poem or a poet who possibly leads metapoetic dialogues with other poets. The figure of the poet is also considered through Nietzsche’s and Hegel’s philosophical approach to the ambivalent knowledge that is inherent to contemplatives and creators, but which conditions their destruction as well. Through the end of the cycle, this research also problematizes the social position of the poet and the possibility of interpreting the cycle through the title inversion – as poetry of criticism – criticism of future poetics, the disappearance of poetic language, poems and poets in general.
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