雕塑与触摸

P. Dent
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引用次数: 9

摘要

内容:引言,彼得·登特。第一部分起源:触摸和史前雕像的化学理解,道格·贝利触摸雕塑,Hagi Kenaan带来的存在:生动的雕塑通过触摸,迈克尔·帕拉斯科斯画报文章A:视线之外,克劳德·希思。第二部分方法:触摸:Herder和雕塑,安德鲁·本杰明触摸的分类:意大利文艺复兴时期的触觉遭遇,杰拉尔丁·A·约翰逊被忽视的触摸的力量:认知神经科学可以告诉我们触摸在艺术交流中的重要性,阿尔贝托·加雷斯和查尔斯·斯宾塞当触摸破碎的意义:为视觉制作的雕塑的情况下,弗朗西斯卡·巴奇画刊文章B:玩火,罗莎琳·德里斯科尔。第三部分身份:触摸之旅之外,茱莉亚·卡西姆雕塑家是一个盲人:康斯坦丁·布朗库西的盲人雕塑,塞巴斯蒂亚诺·巴拉西拥抱石头,拿着刷子:在第一单元照片中区分触摸,菲奥娜·坎德林洛伦佐·吉贝尔蒂和米开朗基罗寻找感觉的手,詹姆斯·霍尔画报文章C:神谕的触摸,迈克尔·皮特里。选择书目索引。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sculpture and Touch
Contents: Introduction, Peter Dent. Part I Origins: Touch and the cheirotic apprehension of prehistoric figurines, Doug Bailey Touching sculpture, Hagi Kenaan Bringing into being: vivifying sculpture through touch, Michael Paraskos Pictorial essay A: out of sight, Claude Heath. Part II Approaches: To touch: Herder and sculpture, Andrew Benjamin A taxonomy of touch: tactile encounters in Renaissance Italy, Geraldine A. Johnson The neglected power of touch: what the cognitive neurosciences can tell us about the importance of touch in artistic communication, Alberto Gallace and Charles Spence When touch shatters meaning: the case of sculptures made for sight only, Francesca Bacci Pictorial essay B: playing with fire, Rosalyn Driscoll. Part III Identities: Beyond the touch tour, Julia Cassim The sculptor is a blind man: Constantin Brancusi's Sculpture for the Blind, Sebastiano Barassi Embracing stone, holding brushes: differentiating touch in the Unit One photographs, Fiona Candlin Lorenzo Ghiberti and Michelangelo in search of the feeling hand, James Hall Pictorial essay C: the touch of the oracle, Michael Petry. Select bibliography Index.
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