Akwasi Ampofo Agyei阿坎highlife歌词的谚语和文体手法

K. Agyekum, J. Amuah, A. Arhine
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摘要

本文考察了已故阿克瓦西·安波福·阿格伊的一首流行的加纳上流社会歌曲《谚语》中的风格特征和谚语。在高雅音乐的研究中,这仍然是一个灰色的领域。本文主要采用访谈和录音的定性研究方法。本文结合语言意识形态理论和民族音乐学理论,探讨了阿坎语生活中文体手段和谚语不可或缺的教学和交际功能。这些作为间接形式的比喻有助于音乐家对非常微妙的问题发表评论。它们描绘了音乐家在阿坎语、文化信仰、世界观和社会结构方面的交际能力。本文进一步反映了谚语在当前加纳高层生活中的相对缺失。从民族音乐学、文体学和语用学三个方面对歌曲中的文体手法和谚语进行了分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Proverbs and stylistic devices of Akwasi Ampofo Agyei’s Akan highlife lyrics
This paper examines the stylistic features and proverbs in ɔba nyansafo wɔbu no bɛ na wɔnka no asɛm, ‘A wise child is spoken to in proverbs’ a popular Ghanaian highlife song by the late Akwasi Ampofo Agyei. This is an area which is still grey in the study of highlife music. The paper basically adopted qualitative methodology through interviews and recordings. The paper combines the theories of language ideology and ethnomusicology, and looks at the indispensable, didactic and communicative functions of stylistic devices and proverbs in Akan highlife. These tropes as forms of indirection help the musicians to comment on very delicate issues. They depict the musician’s communicative competence in the Akan language, cultural beliefs, worldview and social structures. The paper further reflects on the relative absence of proverbs in current Ghanaian highlife. The stylistic devices and proverbs in the song are subjected to ethnomusicological, stylistic and pragmatic analysis.
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