{"title":"简单的美学:童年和音乐创作的艺术方法","authors":"Teresa Leonhard","doi":"10.1386/ijmec_00050_1","DOIUrl":null,"url":null,"abstract":"Something is considered simple (from Latin simplex, literally ‘onefold’) when it is not complex or demanding. Yet some philosophies challenge this view, emphasizing the holistic and even divine nature of the number one. In music pedagogy, pursuing the elementary as a path to the nucleus of music takes the shape of a polyaesthetics or synaesthetics; it is physical and expresses itself through shared exploration, communication and improvisation. This article investigates the notion that this very aesthetic of simplicity – the basis of early childhood music instruction – is not only useful with regards to age-appropriate learning, but also makes it possible to recognize the very foundations of music and challenges us as an ‘open work’ of art (Umberto Eco).","PeriodicalId":142184,"journal":{"name":"International Journal of Music in Early Childhood","volume":"66 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The aesthetics of simplicity: An artistic approach to childhood and music making\",\"authors\":\"Teresa Leonhard\",\"doi\":\"10.1386/ijmec_00050_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Something is considered simple (from Latin simplex, literally ‘onefold’) when it is not complex or demanding. Yet some philosophies challenge this view, emphasizing the holistic and even divine nature of the number one. In music pedagogy, pursuing the elementary as a path to the nucleus of music takes the shape of a polyaesthetics or synaesthetics; it is physical and expresses itself through shared exploration, communication and improvisation. This article investigates the notion that this very aesthetic of simplicity – the basis of early childhood music instruction – is not only useful with regards to age-appropriate learning, but also makes it possible to recognize the very foundations of music and challenges us as an ‘open work’ of art (Umberto Eco).\",\"PeriodicalId\":142184,\"journal\":{\"name\":\"International Journal of Music in Early Childhood\",\"volume\":\"66 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Music in Early Childhood\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/ijmec_00050_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Music in Early Childhood","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ijmec_00050_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The aesthetics of simplicity: An artistic approach to childhood and music making
Something is considered simple (from Latin simplex, literally ‘onefold’) when it is not complex or demanding. Yet some philosophies challenge this view, emphasizing the holistic and even divine nature of the number one. In music pedagogy, pursuing the elementary as a path to the nucleus of music takes the shape of a polyaesthetics or synaesthetics; it is physical and expresses itself through shared exploration, communication and improvisation. This article investigates the notion that this very aesthetic of simplicity – the basis of early childhood music instruction – is not only useful with regards to age-appropriate learning, but also makes it possible to recognize the very foundations of music and challenges us as an ‘open work’ of art (Umberto Eco).