简单的美学:童年和音乐创作的艺术方法

Teresa Leonhard
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引用次数: 0

摘要

当某件事不复杂或要求不高时,就被认为是简单的(源自拉丁语simplex,字面意思是“单一的”)。然而,一些哲学对这种观点提出了挑战,强调数字“一”的整体性甚至神圣性。在音乐教学中,追求初级作为通往音乐核心的途径采取了多元美学或联美学的形式;它是物理的,通过共同的探索、交流和即兴创作来表达自己。这篇文章调查了这样一个概念,即这种非常简单的美学——早期儿童音乐教学的基础——不仅对与年龄相适应的学习有用,而且还使认识音乐的基础成为可能,并挑战我们作为艺术的“开放作品”(Umberto Eco)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The aesthetics of simplicity: An artistic approach to childhood and music making
Something is considered simple (from Latin simplex, literally ‘onefold’) when it is not complex or demanding. Yet some philosophies challenge this view, emphasizing the holistic and even divine nature of the number one. In music pedagogy, pursuing the elementary as a path to the nucleus of music takes the shape of a polyaesthetics or synaesthetics; it is physical and expresses itself through shared exploration, communication and improvisation. This article investigates the notion that this very aesthetic of simplicity – the basis of early childhood music instruction – is not only useful with regards to age-appropriate learning, but also makes it possible to recognize the very foundations of music and challenges us as an ‘open work’ of art (Umberto Eco).
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