在帝国的边缘

James F. Osborne
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引用次数: 0

摘要

本章借鉴了中间立场研究和相关的混杂理论,认为叙利亚-安纳托利亚文化复合体(SACC)与其政治上强大得多的邻居新亚述帝国在文化基础上是平等的。尽管亚述在公元前700年左右征服了SACC的大部分地区,但几个世纪以来,这两个实体在文化上相互影响,这种影响在他们的文化产品中显而易见,比如壁画和纪念性雕像。在一些情况下,这些浮雕和雕像故意融合了两个地方的元素,以制作新的重要产品,通常以强调叙利亚-安纳托利亚文化优先的方式,即使面对政治统治。除了在孤立的艺术作品中融合图像修辞之外,本章调查了在亚述征服后继续使用的叙利亚-安纳托利亚城市的考古记录,表明在几乎所有的情况下,这些城市的建筑传统都没有受到干扰,即使在新的亚述建筑被建造的时候,这些城市本身就成为了亚述和叙利亚-安纳托利亚文化生产的混合实体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On the Edge of Empire
This chapter borrows from middle-ground studies and related hybridity theory to argue that the Syro-Anatolian Culture Complex (SACC) was on an equal cultural footing with its much more politically powerful neighbor, the Neo-Assyrian Empire. Although Assyria would come to conquer most of SACC by about 700 BCE, for several centuries the two entities influenced one another culturally, an influence that is visible in their cultural products like wall reliefs and monumental statuary. In several cases, these reliefs and statues deliberately fused elements from both places to produce newly significant products, often in ways that emphasized Syro-Anatolian cultural priority even in the face of political domination. Beyond the fusion of iconographic tropes in isolated artworks, this chapter surveys the archaeological record of Syro-Anatolian cities that continued in use past the Assyrian conquest, demonstrating that in nearly all cases these cities’ architectural traditions were unmolested even while new Assyrian buildings were constructed, such that these cities themselves became hybrid entities of Assyrian and Syro-Anatolian cultural production.
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