Jadwiga Gracla
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引用次数: 0

摘要

作者指的是在格列维采市剧院上演的戏剧《侮辱白俄罗斯》。这部话剧是Andrey Kureichik演出的基础,讲述了白俄罗斯当代的情况,选举、迫害和独裁。他以一种微妙而复杂的方式展示了两种叙事:渴望自由的人和独裁者。它运用了政治戏剧的经验和现代多媒体技术。在作者看来,艺术上的连贯性被最后一幕——对事件的直接叙述——打破了。然而,在意识形态计划中,这是最重要和最强烈的信息。渴望自由的人们的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Między krytycznym teatrem politycznym a teatrem dokumentalnym. Uwagi o spektaklu "Białoruś obrażona"
The author refers to the play Insulted Belarus, staged at the Municipal Theater in Gliwice. The drama, which is the basis for the performance of Andrey Kureichik, is a story about the contemporary situation in Belarus, elections, persecution, and dictatorship. In a subtle and sophisticated way, he shows two narratives: those desiring freedom and the dictator. It uses the experience of political theater and modern multimedia techniques. According to the author, the artistic coherence is broken by the last scene – a direct account of the events. However, in the ideological plan, it is the most important and strongest message. The story of people who yearn for freedom.
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