宾根的希尔德加德对永恒与时间的视觉思考中河马奥古斯丁的痕迹

Georgina Rabassó
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引用次数: 0

摘要

在哲学史上,几何学已被证明是一种宝贵的资源,因为它代表了时间语义领域中的一系列概念。为了更好地理解时间和永恒的概念,促进反思,并以一种说教的方式解释它们,一系列的线段、线、圆、多边形和其他图形被用来在视觉上和象征性地翻译时间和永恒的概念。时间是河马奥古斯丁思想的中心,《忏悔录》第十一卷是其传播的主要载体。虽然不知道宾根的希尔德加德是否读过这些书页,但莱茵地方法官对永恒和时间的看法与奥古斯丁思想的各个方面表现出显著的亲和力。希尔德加德的《歌剧文学》中的视觉表现(I, 2-3;III、5)在这里用来说明这种可能的影响(或汇合)。在幻象和伴随它们的微缩图中,圆圈代表永恒,直径代表时间,圆点代表连接两者的当下
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Traces of Augustine of Hippo in Hildegard of Bingen’s Visual Thoughts on Eternity and Time
Geometry has proven to be a valuable resource in the history of philosophy for representing a range of concepts in the semantic domain of time. A series of segments, lines, circles, polygons and other figures have been used to translate visually and symbolically the ideas of time and eternity for the purposes of understanding them better, fostering reflection, and explaining them in a didactic manner. Time is central to Augustine of Hippo’s thought, and Book XI of the Confessiones is the main vehicle for its transmission. While it is not known whether Hildegard of Bingen read these pages, the Rhenish magistra’s vision of eternity and time shows a notable affinity with aspects of Augustinian thought. The visual representations in Hildegard’s Liber diuinorum operum (I, 2-3; III, 5) are used here to illustrate this possible influence (or confluence). In the visions and the miniatures that accompany them, the circle represents eternity, the diameter represents time, and the dot represents the present instant that connects both
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