从勒克瑙的微观视角看印度文坛(1920 - 1940)

S. Nijhawan
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引用次数: 0

摘要

第一章考察了20世纪20年代印度地区的期刊出版情况,并选取了几个当时有影响的期刊,将其与勒克瑙以外的出版活动联系起来。它展示了印地语期刊Mādhurī(1922-50)和sudhha(1927-41)以及出版社Gaṅgā Pustak Mālā(1918/1919)及其出版社和书库,即Ganga Fine Art press(1927/1928)和Gaṅgā Granthāgār (c.1931)如何在20世纪20年代和30年代将勒克瑙建立为印地语出版的新中心。这些信息被嵌入到Gaṅgā Pustak Mālā在印地语公共领域的战士的文学作品中,也就是说,大大小小的印刷商、出版商和分销商,他们的碑文在sudhna上做了广告。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Hindi Literary Sphere (1920s–1940s) from the Micro-Perspective of Lucknow
Chapter 1 investigates periodical publishing in the Hindi belt of the 1920s and sets a selected few influential periodicals of the time in relationship to publishing activities emerging out of Lucknow. It shows how the Hindi periodicals Mādhurī (1922–50) and Sudhā (1927–41) as well as the publishing house Gaṅgā Pustak Mālā (est. 1918/1919) along with its press and book depot, that is, Ganga Fine Art Press (est. 1927/1928) and Gaṅgā Granthāgār (c.1931), established Lucknow as the new centre for Hindi publishing in the 1920s and 1930s. This information is embedded into the production of literature by Gaṅgā Pustak Mālā’s combatants in the Hindi public sphere, that is, small and large printers, publishers, and distributors whose epitexts were advertised in Sudhā.
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