{"title":"玛格丽特·卡文迪什的《诗歌与幻想》和托马斯·哈里奥特的《无限论》","authors":"B. J. Sokol","doi":"10.4324/9781315192635-10","DOIUrl":null,"url":null,"abstract":"Margaret Cavendish was probably one of the first women to fashion herself as an author. Her scholarly acceptance has been uneasy, but, as these essays aim to show, rather than self-absorbed or lacking in method, her own high-flying Phancies are the self-legitimating grounds of her discourse.","PeriodicalId":189747,"journal":{"name":"A Princely Brave Woman","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Margaret Cavendish’s Poems and Fancies and Thomas Harriot’s Treatise on Infinity\",\"authors\":\"B. J. Sokol\",\"doi\":\"10.4324/9781315192635-10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Margaret Cavendish was probably one of the first women to fashion herself as an author. Her scholarly acceptance has been uneasy, but, as these essays aim to show, rather than self-absorbed or lacking in method, her own high-flying Phancies are the self-legitimating grounds of her discourse.\",\"PeriodicalId\":189747,\"journal\":{\"name\":\"A Princely Brave Woman\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"A Princely Brave Woman\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4324/9781315192635-10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"A Princely Brave Woman","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9781315192635-10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Margaret Cavendish’s Poems and Fancies and Thomas Harriot’s Treatise on Infinity
Margaret Cavendish was probably one of the first women to fashion herself as an author. Her scholarly acceptance has been uneasy, but, as these essays aim to show, rather than self-absorbed or lacking in method, her own high-flying Phancies are the self-legitimating grounds of her discourse.