《歌是活的》

Lyz Jaakola, Timothy B. Powell
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引用次数: 0

摘要

“歌曲是活着的”讲述了弗朗西斯·登斯莫尔(Frances Densmore)的Ojibwe/Anishinaabe歌曲录音的数字遣返,这些录音最初是在20世纪头十年用蜡筒制作的,由国会图书馆保存。鲍威尔是宾夕法尼亚大学的数字人文学者,他讨论了创建一个数据库的过程,该数据库将大量的无区别歌曲的数字文件转换为个人录音,并根据登斯莫尔非常详细的民族志描述给出了文化背景。Jaakola是丰迪拉克部落和社区学院Ojibwemowining中心的主任,他写到了如何通过在社区中仔细传播这些歌曲,识别具有文化敏感性的歌曲,并通过与老年人和年轻人合作,将适合公众的歌曲重新录制下来,从而使这些歌曲重新焕发生机。这些歌曲现在被大湖地区的Ojibwe社区用于文化和语言复兴,以及明尼苏达州的公立学校。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“The Songs Are Alive”
“The Songs are Alive” recounts the digital repatriation of Frances Densmore’s audio recordings of Ojibwe/Anishinaabe songs that were originally made on wax cylinders in the first decade of the twentieth century and are held by the Library of Congress. Powell, a digital humanities scholar at the University of Pennsylvania, discusses the process of creating a database that converted a huge digital file of undifferentiated songs into individual recordings given cultural context by Densmore’s remarkably detailed ethnographic descriptions. Jaakola, the director of the Ojibwemowining Center at Fond du Lac Tribal and Community College, writes about bringing the songs back to life by carefully circulating them through the community, identifying culturally sensitive songs, and making new recordings of the songs deemed suitable for the public by working with elders and youth. The songs are now being used by Ojibwe communities in the Great Lakes region for cultural and language revitalization as well as in Minnesota public schools.
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