查询对话

Candice Bain, Maevon Gumble
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引用次数: 1

摘要

酷儿理论是一种后结构主义批判理论,它破坏了性和性别范畴的稳定性,挑战了正常、固定和二元身份的概念。这种理解身份的方法已经演变成一个动词,“酷儿”,用来概括挑战一系列压迫制度的行动或方法。关于酷儿理论在音乐治疗领域的应用的文献正在发展,特别是在临床空间中将酷儿理论扩展到超越性和性别的身份。例如,酷儿理论如何应用于具有多重交叉边缘身份的客户的音乐治疗,例如残疾人、少数民族等。我们如何超越固定的类别,关注交叉性,并抵制与我们一起工作的人的病态化?最终,酷儿理论为我们如何理解治疗师、治疗参与者、治疗关系和彻底的包容性实践提供了新的方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Querying Dialogues
Queer theory is a post-structuralist critical theory that destabilizes sexuality and gender categories and challenges the concept of normal, fixed, and binary identities. This approach to understanding identities has evolved into a verb, “queering,” to encapsulate an action or method of challenging a range of systems of oppression. Literature on the application of queer theory to the field of music therapy is developing, particularly the expansion of queer theory to identities beyond sexuality and gender in the clinical space. For example, how does queer theory apply to music therapy with clients of multiple, intersecting marginalized identities, such as those who are disabled, ethnic minorities, etc. How do we move beyond fixed categories, attend to intersectionality, and resist the pathologization of those we work with? Ultimately, queer theory offers opportunities to push us in new directions for how we understand therapists, therapy participants, the therapeutic relationship, and radically inclusive practice.
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