文体动荡:里姆斯基-科萨科夫学派的经验

L. Ader
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引用次数: 0

摘要

本章探讨里姆斯基-科萨科夫的教学遗产,这一遗产在他去世后的20世纪20年代和30年代的苏联取得了最大的成果,当时音乐生活得到了重建,革命前的思想得到了重新评估。在那些年里,学院系统进行了重大改革,新的教学策略出现了。里姆斯基-科萨科夫学派和作曲家自己的作品继续影响着这一时期的音乐品味和教学,引发了激烈的争论。然后,这一章提供了对里姆斯基-科萨科夫的作曲原则是如何深远的理解,形成了一个坚实的基础,在接下来的两代中,他的作曲学校的忠实成员通过有利和不利的思想波动建立了这个基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stylistic Turbulence: The Experience of the Rimsky-Korsakov School
This chapter explores the legacy of Rimsky-Korsakov's pedagogical work, a legacy that bore greatest fruit in the Soviet Union of the 1920s and 1930s, well after his death, when musical life was rebuilt, and pre-revolutionary ideas reassessed. During those years, a major reform of the Conservatory system was undertaken, and new pedagogical strategies emerged. The Rimsky-Korsakov school and the composer's own oeuvre continued to influence musical tastes and teaching in this period, generating lively polemics. The chapter then provides an understanding of how far-reaching Rimsky-Korsakov's principles of composition proved to be, forming a solid foundation that was built on by loyal members of his compositional school over the next two generations, through favorable and unfavorable ideological swings.
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