重点:当代审美文化中的崇高范畴

Divna Vuksanović
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引用次数: 0

摘要

文本渴望勾勒出一个框架,以理解今天崇高的概念,因为它是在艺术的背景下使用的。其基本思想是研究崇高的范畴是如何在现代出现的,无论是在美学理论中,还是在某些诗学和特定艺术作品中。与资本主义早期阶段和当前阶段相关的崇高感知的关键区别在于崇高与新技术建立的联系,这也反映在艺术世界中。通过新技术对崇高范畴的开发,嵌入在一些当代诗学中,是我们这个时代的特征,这是通过与当代艺术所表现的任何美学/艺术品质相关的利益至上来决定的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emphasis: Category of sublime in contemporary aesthetic culture
The text has the aspiration to sketch a frame of reference for understanding the concept of the sublime today, as it is used in the context of art. The basic idea is to investigate how the category of the sublime appears in the modern age, both within aesthetic theories and with regard to certain poetics and specific works of art. The key difference in the perception of the sublime in relation to the earlier phases of capitalism and the present one consists in the connection that the sublime establishes with new technologies, which is also reflected in the world of art. The exploitation of the category of the sublime through new technologies, embedded in some of the contemporary poetics, is characteristic of our time, which is determined through the primacy of profit in relation to any aesthetic/artistic quality manifested by contemporary art.
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