可见的节奏

Sally Crawford-Shepherd
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引用次数: 0

摘要

电视舞蹈节目如《舞林争霸》和《舞魅天下》的竞争本质使踢踏舞者能够与各种风格和流派的舞者竞争。这些表演需要以最后的表演为重点的舞蹈编排,而不是从踢踏舞挑战中设计的即兴踢踏舞步骤,后者是从美国踢踏舞者相互竞争以展示对音乐节奏的熟练程度演变而来的。本章讨论了英国踢踏舞团体Pulse Collective的动作分析和Sky 1的《我要跳舞》的试镜结果。通过对踢踏舞在美国(踢踏舞的发源地)和踢踏舞在英国(踢踏舞的出现)的历史比较,研究了踢踏舞者如何在多种背景下(如非正式挑战、戏剧表演和正式考试)衡量成功,支持了这一分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visible Rhythms
The competitive nature of televised dance shows such as So You Think You Can Dance and Got to Dance enables tap dancers to compete against dancers from a range of styles and genres. These shows require set choreography with the focus on a final performance, rather than improvised tap steps devised from tap challenges, which evolved from American tap practitioners competing against each other to demonstrate proficiency in rhythmic interpretation of the music. This chapter discusses the results of movement analysis of the English tap company the Pulse Collective and auditions in Sky 1’s Got to Dance. The analysis is supported by a historical comparison of tap dance in the United States, where the form first evolved, and its emergence in England to examine how tap dancers measure success across multiple contexts, such as informal challenges, theatrical performances, and formal examinations.
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